Three of the best films at the Philadelphia Film Society's Springfest are a dark comedy about a karate dojo, a documentary about a battle between a Hasidic community and its neighbors in upstate New York, and a British docudrama about the woman who tried to stop the Iraq War before it started. Stephen Silver reviews.

In ‘The Brink,’ Alison Klayman’s dispassionate cameras watch as Steve Bannon weaves his worldwide web of white nationalism. Gary Day reviews.

Ruth Bader Ginsburg biopic 'On The Basis of Sex’ tells the fascinating story of the Supreme Court justice’s difficult climb to the top of her profession. But the movie leaves a fascinating story on the table. Stephen Silver reviews.

'Green Book,' the story of a white driver and a black concert pianist traveling in the Deep South in the early 1960s, is a wildly anachronistic liberal message movie. Stephen Silver reviews.

The documentary 'Until and Unless' takes the viewer into West Bengal's LGBTQ+ world, as brave people fight for the repeal of India’s longstanding anti-sodomy law. Courtenay Harris Bond reviews.

Theater of Witness filmed a performance of its testimonial performance work 'Walk in My Shoes,' and the exploration of racism and violence proved a revelation. Anndee Hochman reviews.

The second Philadelphia Cammy Awards celebrated PhillyCAM's diverse, dynamic community access television and radio heroes. Rob Buscher considers.

The top three documentaries at the 27th Philadelphia Film Festival are the stories of a cable-news villain, a TV writer who discovered a hidden showbiz past, and a woman from Singapore chasing a cinematic dream.

Steve McQueen's 'Widows,' which played the Philadelphia Film Festival's opening Saturday night, successfully brings gravitas and social commentary to the heist genre. Stephen Silver reviews.

'Ben Is Back,' the Philadelphia Film Festival opener, tells the difficult story of an addict returning to his family. Stephen Silver reviews.