Dance

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Page 60

Ballet X: Work by Booker and Neenan

Searching for meaning in modern dance
(without program notes, yet)

Watching Giselle’s Room was like hearing poetry in a foreign language. But two works by Ballet X co-artistic director Matthew Neenan caused no such confusion. Ballet X, more accustomed to Neenan’s individual style and tone, gave superb performances of both pieces.

Ballet X: Giselle’s Room, by Zane Booker; Duet From Cali and Steelworks, by Matthew Neenan. November 6-9, 2008 at Wilma Theater, 265 S. Broad St. (at Spruce). (215) 917-1513 or www.balletx.org.
Jim Rutter

Jim Rutter

Articles 4 minute read
Aldridge in 'Ballo Della Regina': A showcase of skills.

Pennsylvania Ballet's "Balanchine and Tharp'

One more cause for euphoria

It’s too bad the Pennsylvania Ballet didn’t stage these pieces after the election— because regardless of the outcome, these performances would have restored anyone’s faith in humanity. You can’t feel anything less than admiration after watching a corps of young people dancing with such pure elation, so fluid, lovely, and promising, as they moved in perfect unison.

Pennsylvania Ballet: “Balanchine and Tharp. ” October 29-November 2, 2008 at Academy of Music, Broad and Locust St. (215) 551-7000 or www.paballet.org.
Jim Rutter

Jim Rutter

Articles 5 minute read
Forman: A first for Drexel.

Ellen Forman Memorial Concert

Ellen Forman's body language, fondly recalled

As founder of the South Street Dance Company in the early ’70s, the late Ellen Forman introduced Philadelphia to post-modern dance. The humor, romanticism and ebullience that marked her life and work were appropriately recalled in a studio dedication in her honor.

Ellen Forman Memorial Dance Studio opening. October 3, 2008 at Mandell Theater, Drexel University, 33rd and Chestnut Sts. (215) 895-2787 or www.drexel.edu/comad.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read
Bazell: A dream of urban flotsam and jetsam.

Scrap's "Tide' at Fringe Festival (2nd review)

Energy vs. environment on South Street

In Isaiah Zagar's mosaic garden on South Street, dancers perilously climbed and danced off walls of embedded bottles and ceramics in the early evening, when subtle lighting added a mysterious glow to the performance.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
South Philly: The locals joined in.

React/Dance's South Philly Tour, at Fringe Festival

Beyond gentrification's reach

React/Dance, led by Jacelyn Biondo and Kristen Shahverdian, took its dancers and audience on a tour of South Philly, with nary a chic restaurant or much of a sign of gentrification in sight.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
The view from the steering wheel. (Photo: Jacques-Jean Tiziou.)

"Car' at Fringe Festival

All the world's a garage

In Car, director/choreographer Kate Watson-Wallace took audiences of three or four in a car ride within a parking garage— an ambitious, aggressive and sometimes violent experiment.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
Not just another sidewalk.

Dorner's "Bodies in Urban Spaces' at Fringe Festival

Willi Dorner's Pied Pipers of Center City

The Vienna-based choreographer Willi Dorner unleashed 20 highly charged dancers onto the streets of Center City in a series of engaging tableaux, as if some nuclear accelerator had beamed their piled bodies into niches and doorways.

Articles 2 minute read

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Keila Cordova's "Janet 2.0' at Fringe Festival

A parody with teeth

Keila Cordova's political send-up was smart, amusing and prescient too, given Sarah Palin's sudden ascent.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
'A potential for excitement and surprise from the performers.'

Leah Stein's "Urban Echo' at Fringe Festival

Singers, dancers, generations: Breaking the city's boundaries

Urban Echo: Circle Told was perhaps the most transfixing event of Philadelphia's recent Fringe Festival: a brilliant melding of two different generations of artists who share defining commitments to improvisation, as well as a spiritual connection between their creative souls and their external environments.
Jonathan M. Stein

Jonathan M. Stein

Articles 8 minute read
Will these characters ever be able to leave this space?’ (Photo: Karl Seifert.)

Scrap's "Tide' at Fringe Festival

The roar of the city, the peace of the garden

Amid mirrors, trash and other lost objects of urban life strewn about Isaiah's Magic Garden, Myra Bazell's Tide reflects a world in which humans have disconnected from the natural environment. It's a treasure hunt for performers and audience alike.
Jaamil Olawale Kosoko

Jaamil Olawale Kosoko

Articles 3 minute read