Around the world and especially in the US, women are still campaigning for equality. A livestreamed panel discussion explained some little-known history and reminded us what happens when politicians try to restrict the vote. Pamela Forsythe reports.

Pam Tanowitz Dance’s Philadelphia premiere combines elegance with immediacy in a virtual performance. Melissa Strong reviews.

EgoPo Classic Theater’s ‘Emily’ brings theater to your mailbox, and reconsiders the life and legacy of Emily Dickinson in the process. Cameron Kelsall reviews.

In its radio-play adaptation of Sinclair Lewis’s 'It Can’t Happen Here,' Berkeley Rep makes us confront ourselves. Brad Rothbart reviews.

‘The Museum of Whales You Will Never See’ is an ethereal look at seven unusual museums in Iceland, and what they tell us about ourselves. Elisa Shoenberger reviews.

The Phoenix Theatre in Chester Springs embraces Zoom with its presentation of ‘Henry VI, Part III,’ one of the Bard’s lesser-performed histories. Jill Ivey reviews.

Killers with no regard for human life may not sound like the most queer-positive demographic, but everyone should be watching ‘What We Do in the Shadows,’ a lovingly queer TV series about vampires. Mina Reinckens reviews.

In ‘Zoo Motel,’ the latest theatrical presentation for the pandemic age, Thaddeus Phillips brings his magic to the Zoom screen. Josh Herren reviews.

A concert at the German Society with cellist Clancy Newman and pianist Natalie Zhu provided a unique opportunity to compare a live concert with a video version. Margaret Darby reviews both.

The Philadelphia Orchestra’s second Digital Stage stream, ‘Sight/Sound/Symphony,’ added another success to its 2020 season, including an orchestra-commissioned world premiere by Carlos Simon and visual design by Rejik Anadol. Linda Holt reviews.