Theater

2727 results
Page 221
Lage, Preston, Thomas: Brilliant but not wise.

David Mamet's "Race' by Philadelphia Theatre Company (1st review)

What Mamet doesn't know about race (or the law)

Americans are overwhelmed by misunderstandings between blacks and whites, not to mention men and women. To soothe this national trauma, we need the healing power of”¦. criminal defense lawyers?
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read
Louis: Ready to shatter.

"The Glass Menagerie' at Walnut's Studio 3

New light on an old Menagerie

Tennessee Williams's over-exposed Glass Menagerie is a play that cries out for parody. Yet director Bill van Horn and his four magnificent performers have stripped it of all self-indulgent affectation and melodrama.
Jim Rutter

Jim Rutter

Articles 4 minute read
Bedford as Lady Bracknell: You buy it, utterly.

Three "divas' do Ibsen and Wilde in New York

The odd couple: Wilde and Ibsen, perfect together

When would you ever expect to read about Oscar Wilde and Henrik Ibsen in the same review? Better you should ask: Why are you reading this review when you could be hopping on a train to New York to catch three lionesses of the English-speaking stage, one of them a man?

Carol Rocamora

Articles 7 minute read
Miranda: The struggle is familiar.

"In the Heights' on tour

Sidewalks of New York, salsa-style

In the Heights is an innovative show based in the traditions of musical theater— sort of case of pouring new Hispanic wine into old Jewish, Italian or Irish bottles. Once poor immigrants try to improve their lives in New York City, with an upbeat end.
Steve Cohen

Steve Cohen

Articles 3 minute read
Gonglewski, Hissom: Beneath that hulking exterior, a woman?

"Moon for the Misbegotten' at the Arden (2nd review)

Our deepest, darkest secrets

Grace Gonglewski brings a grounded, split-second nuance to O'Neill's Irish Amazon Josie Hogan. But O'Neill's theme— that people aren't who they seem to be— is hardly a stunning insight in the age of Facebook.
Alaina Johns

Alaina Johns

Articles 3 minute read
Merrylees (left), Sottile: Scores to settle. (Photo: Mark Garvin.)

"Kidnapped' at People's Light

A ripping Highlands yarn, stripped down

This stage adaptation of Kidnapped is a pared-down but generally effective version of Robert Louis Stevenson's classic adventure novel, which is more than you can say for its six film versions.

Bill Murphy

Articles 2 minute read
Jiri Zizka: The man who wasn't there.

"The Understudy' at the Wilma (2nd review)

Make 'em reflect, or make 'em laugh: Is the Wilma changing its stripes?

Jiri Zizka, the Wilma' longtime co-director, might have made something engagingly metaphysical out of The Understudy. This production, played largely for laughs, suggests that Zizka's shoes will be hard to fill.
Jim Rutter

Jim Rutter

Articles 3 minute read
Brennan, O'Brien, Carson, Dibble: Nine people's favorite thing.

Mauckingbird's "[title of show]'

There's no business like show business (and maybe that's the problem)

Like reality-based TV programming, this musical show about putting on a musical show appeals to a very narrow niche indeed. But it does appeal.
Jim Rutter

Jim Rutter

Articles 3 minute read

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Gonglewski, Watts (rear), Hissom: Carrying manners as an ironic barrier.

"Moon For the Misbegotten' at the Arden (1st review)

The core of O'Neill's compassion

A Moon for the Misbegotten was Eugene O'Neill's last play, and it touches the core of his compassion. Grace Gonglewski and Eric Hissom play finely against each other under Matt Pfeiffer's direction.
Robert Zaller

Robert Zaller

Articles 4 minute read
Suffocated by despotism, surviving on the oxygen of freedom. (Photo: Sara Krulwich, New York Times.)

Belarus Free Theatre's "Being Harold Pinter'

When theater is the ultimate political act

So you think standing on line for tickets is an act of perseverance? Meet the Belarus Free Theatre, a company whose members are literally prepared to die for their work and for free expression.

Carol Rocamora

Articles 7 minute read