Theater

2734 results
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Simon: Lost and found.

Simon's "Lost in Yonkers' at Plays & Players

A different take on ‘coming of age'

In an age that's overrun with “coming of age” stories, Neil Simon's Lost In Yonkers takes a different tack, examining the coming-of-age of an entire dysfunctional family. A superb production expertly navigates the journey.
Madeline Schaefer

Madeline Schaefer

Articles 3 minute read
Simms, Adjepong: Caught in the middle.

Lynn Nottage's "Ruined,' by PTC

Sunshine among the ashes

Lynn Nottage's Ruined, set in a bar during the Congolese civil war, demonstrates how people create community and happiness even in the midst of devastation. But how to reverse the world's endless cycle of civil warfare? For the answer to that question, you must search elsewhere.
Jim Rutter

Jim Rutter

Articles 4 minute read
Apple, Freeman: Obsession without end. (Plate 3 photo.)

"In a Daughter's Eyes,' by InterAct (2nd review)

Daughters without fathers

The shadows of Mumia and MOVE haunt the stage of InterAct Theatre's world premiere production of A. Zell Williams' In a Daughter's Eyes, as they do Philadelphia itself. The play sheds more heat than light, though, as its two characters grope in a world of pain in which neither can truly find the other. In a Daughter's Eyes. By A. Zell Williams; Rebecca Wright directed. InterAct Theatre production through June 19, 2011 at Adrienne mainstage, 2030 Sansom St. (215) 568-8077 or www.interacttheatre.org.
Robert Zaller

Robert Zaller

Articles 6 minute read

"In A Daughter's Eyes,' by InterAct (1st review)

Mumia, and the ignorance of certainty

What if Officer Daniel Faulkner's widow and Mumia Abu-Jamal's wife had to hang out together in a setting that required them to acknowledge their common humanity? That's the intriguing premise of this new play, which unfortunately suffers from superficial execution.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Abdul, Cowell: A useful conversation?

Directors vs. Critics: BSR's debate (2nd comment)

Who critiques the critics?

Who will hold theater critics accountable? Other critics, for one. But the Internet offers an even more effective solution.
Jim Rutter

Jim Rutter

Articles 3 minute read
Havard: Smeared by the 'Inquirer'?

Directors vs. critics: BSR's debate (1st comment)

Theaters, critics and delusions of injustice

At Broad Street Review's debate on theater criticism, three Philadelphia directors largely ignored the panel's Internet-based critics and mostly complained instead about the Inquirer. Earth to directors: Hip theatergoers no longer care about, much less read, the Inquirer.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Haas, Phelan: 'Why put on makeup?'

"Vigil' and older audiences at the Lantern

Why was I the only one laughing?

The wicked humor of Morris Panych's Vigil comes mostly at the expense of older audiences. That's bad news for cutting-edge theater in Philadelphia.
Christopher Munden

Christopher Munden

Articles 4 minute read
'Aida' by Philadelphia's High School of Creative and Performing Arts: When kids genuinely connect.

What the pros can learn from "The Cappies'

Teaching the Tonys a thing or two

The Cappies, an international project for high school theater and journalism students, is an awards show without commercials or long-winded acceptance speeches. And it's refreshing to see kids cheering for something other than sports.
Steve Cohen

Steve Cohen

Articles 3 minute read
Fahrner, Kunze: Fleshing out Puccini. (Photo: Mark Garvin.)

"Miss Saigon' at the Walnut

Beyond Butterfly

The Walnut's new production of Miss Saigon reaffirms the quality of its authors' work when they were at their short-lived peak. This play is more compact and focused than Les Miz, and more nuanced than Madam Butterfly, the play and opera on which Miss Saigon is based.
Steve Cohen

Steve Cohen

Articles 4 minute read
Norris, Shaurice: Where are the grown-ups? (Photo: Jim Roese.)

Ayckbourn's "My Wonderful Day' at the Wilma

Adults behaving childishly (and vice versa)

In My Wonderful Day, Ayckbourn has pulled off a rare feat: an adult comedy about adult childishness, abetted by the superb Wilma Theater production. It's the ideal tonic for an age that routinely confers responsibility on overgrown adolescents like Arnold Schwarzenegger and Dominique Strauss-Kahn.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read