Theater

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Page 152
"There are no consequences": Ngo and Wood. (Photo by Kathryn Raines / PLATE 3)

Jennifer Haley's 'The Nether' at InterAct

A plausible near future

Theater science fiction is more like the literature than the movies; as The Nether shows, it can posit frightening futures extrapolated from what's happening today.
Mark Cofta

Mark Cofta

Articles 3 minute read
The cast of “An Octoroon,” transformed by face paint. (Photo by Alexander Iziliaev)

'An Octoroon' at the Wilma (first review)

Looking in a funny mirror

The Wilma's production of An Octoroon gives us an often funny and theatrical, yet also brutally honest, look at race in America.
Mark Cofta

Mark Cofta

Articles 4 minute read
The stakes are higher than just a match: "The Royale."

'The Royale' and 'The Effect' in New York

Strong statements on small stages

This spring, while Broadway fills its tank with high-octane musicals and star-driven revivals, provocative new plays like The Royale and The Effect are replenishing the smaller stages.

Carol Rocamora

Articles 4 minute read
Inviting the audience to play along: Lo Bianco as La Guardia. (photo via tonylobianco.com)

Tony Lo Bianco in 'The Little Flower' at the Prince

A politician of the past with a message for the present

We are living through a season of political complaint. Fiorello La Guardia, in Tony Lo Bianco's one-man show, The Little Flower, is more than relevant; he is today's news.
Lynn Hoffman

Lynn Hoffman

Articles 2 minute read

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Joan of Arc in a 1505 depiction.

Shaw's 'Saint Joan' by Quintessence Theatre

The saint we need, but don't want

Quintessence Theatre Group's revival of George Bernard Shaw's Saint Joan shows how contemporary a classic can, and should, be.
Mark Cofta

Mark Cofta

Articles 3 minute read
Before Wendy, there was Molly. Shuchman and O’Rourke. (Photo by Mark Garvin)

‘Peter and the Starcatcher’ at Walnut Street Theatre

A golden grotto of star stuff, and other gender issues

A rollicking good comedy about pirates and crocodiles and star stuff has me laughing while asking questions about gender parity, trans issues, and child abuse. Why can’t I just enjoy the show and forget about all that other stuff?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Wilson (left), Belver: Intimate spaces.

‘Driving Miss Daisy’ in Ambler

The truth behind the fiction

Superb acting distinguishes this new production of Alfred Uhry’s Driving Miss Daisy, a classic but widely misunderstood allegory of the Civil Rights movement in America’s Deep South.
Steve Cohen

Steve Cohen

Articles 4 minute read
Rosalind and Orlando fall instantly, hilariously, beautifully in love: Filios and Blouch. (Photo by Mark Garvin)

'As You Like It' by Lantern Theater Company

A likeable As You Like It

Lantern aces the romance and comedy of As You Like It, and adds beautiful music as well.
Mark Cofta

Mark Cofta

Articles 3 minute read
A happy ending with an unexpected emotional wallop. (Photo by Gerry Goodstein)

Trevor Nunn directs Shakespeare's 'Pericles'

All overboard

Trevor Nunn’s Pericles gives a fresh hearing to one of Shakespeare’s most neglected texts.
Robert Zaller

Robert Zaller

Articles 5 minute read
At work in the Brill Building. (Original Broadway cast; photo by Joan Marcus, courtesy of the Kimmel Center)

'Beautiful: The Carole King Musical' at the Academy of Music

A legend set to music

Setting our lives to music makes the hard parts so much more palatable. Beautiful: The Carole King Musical makes us feel good about ourselves and the possibility of happiness with and without marriage, even if it’s just a modern day fairytale.
Naomi Orwin

Naomi Orwin

Articles 3 minute read