Music
1944 results
Page 92

Musicians from Marlboro III
Conflict and integration
The Musicians from Marlboro bring a consoling message to conflicted souls and present a bravura performance by one of the master pianists who enrich Philadelphia’s musical life.

Articles
2 minute read

Orchestra Plays Barber, Bartók, and Bruckner
Three other B’s
Yannick Nézet-Séguin led the Orchestra in familiar Barber and Bruckner and unfamiliar Bartók in the season’s penultimate concert.

Articles
5 minute read

Levine conducts ‘Così fan tutte’ at the Met
Welcome back, James
James Levine, returning to the Met after a two-year absence, led a performance of Così fan tutte that made us forget the plot’s silliness as we reveled in the music’s subtleties.

Articles
3 minute read

The Mendelssohn Club premieres Julia Wolfe's 'Anthracite Fields'
A Battle Hymn for the Industrial Revolution
The Mendelssohn Club premieres Julia Wolfe's Anthracite Fields, a hardheaded look at the relationship between the economic progress of the last two centuries and the sacrifices of the economic foot soldiers who made it possible.

Articles
4 minute read
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Orchestra’s Mozart celebration
Mozart’s odd couple
Two Canadians made an odd (albeit complementary) couple at the Philadelphia Orchestra’s Mozart celebration this weekend.

Articles
2 minute read

Jean Langlais: An appreciation
The gems this composer and organist left behind, imbued with a distinctive harmonic language, should not be forgotten.
Articles
2 minute read

The Curtis Symphony Orchestra at the Kimmel Center (2nd review)
The grand passions of Penderecki and Tchaikovsky
The Curtis Symphony Orchestra ends its season with distinguished graduates and current students collaborating on a program that highlights intensely emotional music, old and new.

Articles
3 minute read

Fred Ho: Another worker's remembrance
Fred Ho did not win his battle. His huge legacy, however, endures.

Articles
5 minute read

Curtis Symphony at the Kimmel (1st review)
What did Tchaikovsky mean? (and other unanswerable questions)
Can we not hear the Pathétique simply as a symphonic composition in four movements without extra-musical connotations of any kind? Does it matter whether Tchaikovsky had an agenda in mind? Would it matter if he had spelled it out?

Articles
4 minute read

The Takács Quartet performs at Perelman
Dwelling with the angels
The Takács Quartet, a frequent guest of the Chamber Music Society, performed the rarely-heard Shostakovich Second Quartet and the Beethoven Fifteenth, with two brief works by Anton Webern that proved a connection as well as a contrast.

Articles
4 minute read