Music

1944 results
Page 144
Sirtis: Almost operatic.

Marina Sirtis with Orchestra 2001

She doesn't sing, but what an actress!

For its season opener, Orchestra 2001 delivered the kind of near miss that an innovative organization has to produce now and then. The main event of the evening was a performance by a guest star who didn't sing a note.
Tom Purdom

Tom Purdom

Articles 3 minute read
Meunier, 'First Piano Lesson': Why so unhappy?

Why piano students cry

The agony and ecstasy of the amateur pianist

Somewhere in the world, a student cries at a piano lesson every 21 seconds. Why all this anguish? I believe that the emotional power of the classical piano literature itself is a powerful contributing factor. I speak from agonizing personal experience.
Dan Coren

Dan Coren

Articles 6 minute read
Davis: A one-note performance.

My evening with Miles Davis (memoir)

‘Guess who I'm snorting coke with?' Miles Davis, up (too) close

When Miles Davis walked into our San Francisco jazz club, I was operating the food concession. Unfortunately for me, food was the last thing the great jazz trumpeter wanted that night.
Bob Ingram

Bob Ingram

Articles 6 minute read
Merchant: Tough to pin down.

Natalie Merchant on tour at the Merriam

Professor Merchant lets her hair down

In her latest song cycle, singer-songwriter Natalie Merchant interprets the words of others through a dizzyingly diverse collection of musical influences, ranging from traditional folk and bluegrass to klezmer, Celtic, classical, jazz and, even a little rock 'n roll.
Mark Wolverton

Mark Wolverton

Articles 3 minute read
Decades ahead of his time.

Varèse festival in New York

A sudden thirst for Varèse (but only in New York)

Edgard Varèse's music has no melodies and virtually no tonal implications; it's all wild, intense blocks of sound filling up musical and physical space. New York audiences went wild over it, and so did I.
Dan Coren

Dan Coren

Articles 5 minute read
Part musician, part stand-up comic.

Chris Isaak at the Keswick

A troubadour's lighter side

Chris Isaak has made his reputation as a tormented rockabilly troubadour, but his live performances reveal another side: A singer who refuses to take himself as seriously as he takes his music.
Mark Wolverton

Mark Wolverton

Articles 3 minute read
Wright: Visual music, with Tom and Jerry thrown in.

Orchestra's Chamber series: Maurice Wright

Maurice Wright's trifecta

The once-underappreciated composer Maurice Wright rounds out a winning season with a romp from his past.
Tom Purdom

Tom Purdom

Articles 3 minute read
Anderson on 'Homeland' cover: Singer? Poet? Woman? Man?

Laurie Anderson at World Café Live

A legend with a laptop

Laurie Anderson brings her quirky take on life in America to Philly, raising a question: How should an audience respond to an artist who has made a career of defying any categorization?
Judy Weightman

Judy Weightman

Articles 3 minute read
Loesser: I sang his songs in spite of myself.

Frank Loesser's enduring power

Why mama starts to weep: The inexplicable power of a song

As a pre-teen and young teen in the late 1940s and early '50s, I often found myself singing two old songs to myself. I had no idea how they got there. Then one day my mother told me.

John L. Erlich

Articles 3 minute read
He soars, all right, but where's his family?

A pianist reconsiders "Jonathan L. Seagull'

The concert pianist's life: My problem with Jonathan Livingston Seagull

Even as a concert pianist, I can't help wondering: Is anything worth the degree of single-mindedness depicted in the popular bestseller Jonathan Livingston Seagull?
Maria Thompson Corley

Maria Thompson Corley

Articles 5 minute read