Dance

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Page 52
Portman, Cassel: There will be blood.

"Black Swan' (3rd review)

Grand Guignol at the ballet

Darren Aronofsky's much-hyped Black Swan is a high-concept slasher film whose director wreaks his fantasies on the world of ballet. Ostensibly a film about ambition and intrigue, it's a phantasmagoric exercise in misogyny.
Robert Zaller

Robert Zaller

Articles 5 minute read
Portman (left), Kunis: The image a dancer fears most.

"Black Swan' (2nd review)

Hall of mirrors: Inside a ballerina's head

What sets Black Swan apart from other ballet movies is that it's a psychological thriller with genuine ballet roots. In the overheated work of learning the dual Swan Queen role, the heroine begins losing her ability to sort out what's real and what's imaginary. Black Swan. A film directed by Darren Aronofsky. For theaters and times in greater Philadelphia, click here.

Janet Anderson

Articles 5 minute read
'The mice have funny shoes on!'

Pennsylvania Ballet's "Nutcracker': Three generations

To see with the eyes of a child

At what age should you introduce a child to The Nutcracker? And do you take her for her benefit, or yours?
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Portman: Anorexic and anxious, and what else is new?

"Black Swan': a ballet/horror film (1st review)

And you thought ballet was a tough career

Black Swan purports to be a film about ballet. Is ballet really this vulgar, violent and tasteless?

Jane Biberman

Articles 2 minute read
Gavezzoli, Quinones: Personal magnetism, and opera too. (Photo: Eduardo Patino.)

Parsons Dance at Annenberg

Hold the philosophy, pass the joy

David Parsons doesn't use dance to explore ideas. With Parsons, an evening of dance is just an evening of dance— and very enjoyable nevertheless.
Judy Weightman

Judy Weightman

Articles 3 minute read
Ringer: Is a body fair game?

The plump dancer and the 'New York Times' critic

Art and sensitivity: If a dancer's too heavy, should a critic say so?

The New York Times dance critic has been vilified for commenting on a dancer's weight. Was he insensitive? Maybe. But that sort of sensitivity is the enemy of art— especially the art of dance.
Jim Rutter

Jim Rutter

Articles 4 minute read

BalletX: Ochoa, Del Cuore and Neenan (2nd review)

A ballet troupe with a future

Now in its fifth year, BalletX has assembled a consistently talented cadre of strong modern ballet dancers, commissioning new work and tapping selections from a growing repertoire.
Jonathan M. Stein

Jonathan M. Stein

Articles 3 minute read
Damon, Feig in 'Beside Myself': Latent promise. (Photo: Bill Hebert.)

BalletX: Ochoa, Del Cuore and Neenan (1st review)

Stories and pictures without words or paint

Revivals by Annabelle Lopez Ochoa and Matthew Neenan have ripened with age. The same might be true a few years from now for Tobin Del Cuore's Beside Myself. BalletX 2010 Fall Series: Ochoa, Still @ Life; Del Cuore, Beside Myself; Neenan, Frequencies. Through November 21, 2010 at the Wilma Theater, 265 S. Broad St. (at Spruce). (215) 546-7824 or www.balletx.org.
Jim Rutter

Jim Rutter

Articles 4 minute read

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Instant serpents and moving umbrellas, beneath a Japanese moon.

"Kaidan Insuto' by Daniele Strawmyre's readySetGo

Japanese ghosts in Kensington

In a suitably ghostly abandoned warehouse in Kensington, Daniele Strawmyre and her readySetGo dance company presented Kaidan Insuto, an engrossing performance installation work based on ghost tales from 17th-Century Japan.
Jonathan M. Stein

Jonathan M. Stein

Articles 3 minute read
'Phantasmagoria': Brueghel via Taylor, complete with nun and Bowery bum.

Paul Taylor at Annenberg (2nd review)

Sound and fury, signifying…. what?

The great modern dance pioneer Paul Taylor is 80 years old and dripping with honors. But Phantasmagoria, his newest piece, couldn't be weirder or less like the work that has made him a legend.

Janet Anderson

Articles 4 minute read