KÓ¹lÓº Mèlé's "Sacred Journeys' at the Painted

African roots: The real deal

KÓ¹lÓº Mèlé is no mere group of well-meaning ethnics performing to amuse themselves and their audience; it invites us into the infectious beauty, mystery and glamour of the true African aesthetic— which is a long way from tap dancing and shuffling.

Janet Anderson

Nov 29, 2011 · Articles · 3 minute read

Chunky Move's "Connected' at Annenberg

Is it movement, or just twitching?

A collaboration between a choreographer and a sculptor sounds exciting in theory. In practice, it raises more questions than it answers about the nature of artistic connections.

Judy Weightman

Nov 22, 2011 · Articles · 3 minute read

BalletX's Fall Series

Real life in dance? Well, why not?

BalletX founders Matthew Neenan and Christine Cox started with a dream of pursuing the new and the different in movement. Their extraordinary Fall Series demonstrated that they're not only changing dance, but also changing people's lives in the process.

Janet Anderson

Nov 22, 2011 · Articles · 3 minute read

Pennsylvania Ballet's "Russian Suite'

Big names, hard work, dazzling technique... But what does it mean?

Are celebrity artists really the answer for the future of ballet? This performance by the former Bolshoi icon Alexei Ratmansky offered too much of the ballet confection that's immediately pleasing to the taste of audiences, and little of substance or meaning.

Jonathan M. Stein

Oct 25, 2011 · Articles · 4 minute read

"Two Hands' at Annenberg

Magical moments

Two Far East expatriates now based in Philadelphia— the Chinese puppeteer Hua Hua Zhang and the Indonesian choreographer Kun-Yang Lin— joined forces for a program that was enthralling from beginning to end.

Janet Anderson

Oct 18, 2011 · Articles · 2 minute read

Thirdbird's "Seen & Heard'

Things are tough all over

In “Seen & Heard,” choreographers revealed their disequilibrium with the chaos of the world, exposed the conventions of human relationships and uncovered the life of a dancer who's compelled to connect with his audience.

Jonathan M. Stein

Oct 11, 2011 · Articles · 3 minute read

"Traces': Dazzling spectacle from 7 Fingers

Something completely different (and without a safety net)

The brilliant dancer/acrobats of 7 Fingers seek a new form of performing art. Their Traces— part circus act, part dance theater, part cabaret— is a dizzying, dazzling spectacle that defies definition.

Carol Rocamora

Sep 13, 2011 · Articles · 4 minute read

John Jasperse's "Canyon' at the Fringe Festival

Confronting the inexplicable

John Jasperse's unorthodox Canyon seeks to alter the way we view performance, not to mention our states of consciousness. He jars our expectations of experience and reality, especially in temples of art on avenues of the arts.

Jonathan M. Stein

Sep 13, 2011 · Articles · 4 minute read

Headlong Dance Theater's "Red Rovers'

None dare call it dance

In Red Rovers, Headlong Dance Theater once again comes up with a clever setup that leads nowhere. And would it kill them to do a little more dancing?

Merilyn Jackson

Sep 08, 2011 · Articles · 2 minute read

"Dancing Dead' by Brian Sanders

Waiting for Sanders to evolve

In Dancing Dead, choreographer Brian Sanders has developed a brilliant and original concept. Still, if you've seen one Sanders piece, you've seen the limits of his movement vocabulary.

Jim Rutter

Sep 06, 2011 · Articles · 4 minute read