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Now you see it….
Stephen Estock's "Hungry Eyes' at Schmidt Dean
The 11 paintings in Stephen Estock's aptly named "Hungry Eyes" do indeed leave you hungry for more.
These panels of varied dimensions, with multiple layers of oil paints on linen radiate a vitality and luminescence that seems magnetic.
Each painting seems serene at first, but look again. Observe the reflection of colors below the surface, enriching the surface complexity. Although they're completely abstract, each painting creates a distinctive environment and invites separate attention.
Estock studied for three years at the Art Students League in New York and then received his B.F.A. from the combined program at Pennsylvania Academy and the University of Pennsylvania. As he describes his process, he applies layers of paint with brushes and trowels to the canvas, then scrapes away more of the paints than he leaves. At first the finish looks monochromatic; after that it's up to the viewer to visually probe the surface.
Roman Summer (2012) explodes with a joyous leap up into the infinite blue sky. It captures memories of dining after dark in the Trastevere section of Rome, or enjoying a gelato plus music on the Piazza Navona while watching the human statues and milling populace. Your worries are suspended; life is wonderful.
Trout (2012) is more serene. A glow of light from the under layers of paint seems to reflect gently moving water coursing through the quiet woodland. Its meditative quality seems to cast its spell all around it.
Take time to look. These paintings are not for quick impressions. Each one takes time, but it's worth it.
Deep Water (2011) penetrates the surface, revealing myriad colors in its depths. Looking straight on to the painting reveals much about Estock's technique. Although the surface appears smooth, the complexity lies in all the layers of paint that create the final impression.
This exhibition provides a strong affirmation for the role of abstract paintings in the 21st Century. Beyond digital techniques, installation, accumulation, photography and video, we still respond to the sensuous quality of colors selected and applied with aesthetic judgment by a skilled artist.♦
To read responses, click here.
These panels of varied dimensions, with multiple layers of oil paints on linen radiate a vitality and luminescence that seems magnetic.
Each painting seems serene at first, but look again. Observe the reflection of colors below the surface, enriching the surface complexity. Although they're completely abstract, each painting creates a distinctive environment and invites separate attention.
Estock studied for three years at the Art Students League in New York and then received his B.F.A. from the combined program at Pennsylvania Academy and the University of Pennsylvania. As he describes his process, he applies layers of paint with brushes and trowels to the canvas, then scrapes away more of the paints than he leaves. At first the finish looks monochromatic; after that it's up to the viewer to visually probe the surface.
Roman Summer (2012) explodes with a joyous leap up into the infinite blue sky. It captures memories of dining after dark in the Trastevere section of Rome, or enjoying a gelato plus music on the Piazza Navona while watching the human statues and milling populace. Your worries are suspended; life is wonderful.
Trout (2012) is more serene. A glow of light from the under layers of paint seems to reflect gently moving water coursing through the quiet woodland. Its meditative quality seems to cast its spell all around it.
Take time to look. These paintings are not for quick impressions. Each one takes time, but it's worth it.
Deep Water (2011) penetrates the surface, revealing myriad colors in its depths. Looking straight on to the painting reveals much about Estock's technique. Although the surface appears smooth, the complexity lies in all the layers of paint that create the final impression.
This exhibition provides a strong affirmation for the role of abstract paintings in the 21st Century. Beyond digital techniques, installation, accumulation, photography and video, we still respond to the sensuous quality of colors selected and applied with aesthetic judgment by a skilled artist.♦
To read responses, click here.
What, When, Where
Stephen Estock: "Hungry Eyes." Through January 12, 2013 at Schmidt Dean Gallery, 1719 Chestnut St., 4th floor. (215) 569-9433 or www.schmidtdean.com.
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