Benjamin Safran

Benjamin Safran

Contributor

BSR Contributor Since May 7, 2019

Philadelphia-based musicologist and composer Ben Safran (they/them or he/him) researches issues of social justice, politics, and identity within classical music, and presents their scholarly and creative work at performances and academic conferences across the country.

Philadelphia-based musicologist and composer Ben Safran’s research, which they have presented at national and regional conferences across the country, includes interdisciplinary approaches to studying music and social justice, protest music, identity studies, hermeneutics, pedagogy, media studies, and ecomusicology. Ben’s compositions have been performed throughout the United States, including by Network for New Music, Dolce Suono Ensemble, Atlantic Music Festival Orchestra, Calliope, Temple Composers' Orchestra, Temple University New Music Ensemble, and by titled members of the Philadelphia Orchestra. Ben has been commissioned by world-championship ice skater Brooke Frieling, Philadelphia's Kaleid Theater, and Boston's Commonwealth School, and is a winner of the 2017 Dolce Suono Ensemble Steven Stucky Young Composers Award and the 2018 Richard Duris Award for excellence in classical music. A native of Massachusetts, Ben completed a Ph.D. in music studies from Temple University in May 2019, where their dissertation was on contemporary classical composers' uses of social justice and political themes in their concert music.

By this Author

6 results
Page 1
Echoes of jazz, Bartók, and Stravinsky: Gabriela Ortiz’s 2012 ‘Ríos: Papaloapan’ performed at Teatro Esperanza. (Photo by Zamani Feelings.)

Orchestra 2001 and Esperanza present ‘¡Conexiones!’

Celebrating Mexican music

Even among contemporary classical groups, music by Latinx composers is rarely heard in our region. Orchestra 2001 partnered with North Philly’s Esperanza for a program spotlighting Mexican artists. Ben Safran reviews.
Benjamin Safran

Benjamin Safran

Articles 5 minute read
Conductor Sergey Smbatyan led the Malta Philharmonic in an ambitious program. (Photo by Joe Smith.)

Malta Philharmonic Orchestra Valletta 2018 Tour

Big event, small audience

The Malta Philharmonic presented an ambitious program for its first U.S. tour, but with more support from its own government than from Philadelphia audiences or the Kimmel Center. Benjamin Safran reviews.
Benjamin Safran

Benjamin Safran

Articles 3 minute read
Un/Sung (spoken word artist Lauren Whitehead) waits for the first day of school to begin, as projections detail the events of the 1985 MOVE bombing. (Photo by Dominic M. Mercier.)

Opera Philadelphia presents Opera on the Mall's 'We Shall Not Be Moved'

Safety in numbers

In the context of Opera on the Mall, 'We Shall Not Be Moved' is still a beautiful work. Yet its attempt at evenhandedness and lack of action prevent it from succeeding. Ben Safran reviews.
Benjamin Safran

Benjamin Safran

Articles 3 minute read
Concertgoers pass protesters outside the Kimmel Center on May 19, 2018. (Photo by Joe Piette via flickr.com.)

On violating the "sanctity of the concert hall"

Disrupting culture

When protesters disrupted the Philadelphia Orchestra's performance of 'Tosca,' some thought they went too far; others thought they did just the right thing in just the right place. Benjamin Safran considers.
Benjamin Safran

Benjamin Safran

Essays 4 minute read
Ashley Tini plays one end of Kagel's massive machine. (Photo by Ryan Collerd.)

Bowerbird presents 'Sound Machines,' featuring Mauricio Kagel's 'Zwei Mann Orchester'

More than spectacle

Bowerbird presents 'Sound Machines,' an impressive and playful U.S. premiere of Mauricio Kagel’s 'Zwei Mann Orchester.' Benjamin Safran reviews.
Benjamin Safran

Benjamin Safran

Articles 2 minute read
Leonard Bernstein, composer of "Chichester Psalms," introduced children to classical music at his "Young People's Concerts." (Photo via Creative Commons/Wikimedia.)

Kids, caregivers, and the concert hall

Rethinking audience noise

Many of our cultural institutions offer "kid-friendly" performances, but how friendly are they? Benjamin Safran considers.
Benjamin Safran

Benjamin Safran

Essays 4 minute read