Theater

2734 results
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Rush as Poprishchin: A Technicolor specter.  (Photo: Heidrun Lohr.)

"Diary of a Madman' in Brooklyn

A genius for portraying madness

Geoffrey Rush, who seems to have cornered the market on inspired lunacy, has done it again. This time he's Aksenty Poprishchin, Gogol's immortal definitive urban "little man," driven mad by an uncaring world. Rush and director Neil Armfield have turned the story into a tragic vaudeville, both hilarious and harrowing, acted out with spectacular theatricality.

Carol Rocamora

Articles 5 minute read
Eisenhower: Now for the solo album.

"The Last Five Years' at Media Theatre.

Anatomy of a breakup

The Last Five Years is a two-character musical about a couple's romance, based on its creator's own wrecked marriage. It's a triumph of style over substance, thanks especially to excellent performances by Jennie Eisenhower and Marcus Stevens.
Steve Cohen

Steve Cohen

Articles 3 minute read
McCormick (left), Jezior: Even his boozy breath was real.

Sara Kane's "Blasted' by Luna Theater

Seeing is believing

Sarah Kane's Blasted forces us to witness every conceivable type of psychological and physical violence. It requires tremendous fortitude to watch. But its sincere frankness hits home.
Jim Rutter

Jim Rutter

Articles 3 minute read
Black-Regan (and Dura on the floor): 'It's only a symbol.'

Boris Vian's "Empire Builders' at Walnut Studio 5 (1st review)

Downward mobility, or: For whom the noise tolls

In Boris Vian's creepy and intensive absurdist work from 1957, a Paris family is constantly moving upstairs to escape a mysterious noise downstairs. It's a dazzling metaphor for the fear currently pervading the world's economic frustrations.
Jim Rutter

Jim Rutter

Articles 3 minute read
Watts (left), Gonglewski: The perfect trinity for despair.

"Moon for the Misbegotten' at the Arden (3rd review)

The poetry of unheeded expectations

In O'Neill's dramas, like those of Tennessee Williams, each character's mental state teeters on the brink of psychosis; poverty isn't necessarily financial; and the playwright's poetic language abets their condition.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 4 minute read
Blouch, Mulroney: Are we having fun yet?

McDonagh's "Skull in Connemara,' by the Lantern (2nd review)

Between art and insult

A dedicated production and a hard-working cast unfortunately couldn't raise Martin McDonagh's 1997 play about a sinister Irish gravedigger from the dead. Pinter did it all better.
Robert Zaller

Robert Zaller

Articles 3 minute read
Rotté (right) with Charles Helmetag: Moments of truth. (Photo: Paola Nogueras.)

"The Cherry Orchard' at Villanova

Comedy of the deadliest sort

In Harriet Power's fresh staging, Chekhov's The Cherry Orchard reveals itself as a startlingly modernist text that is in many ways the matrix of 20th-Century theater.
Robert Zaller

Robert Zaller

Articles 7 minute read

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Tuonamen: Belligerent pacifist.

Chris Braak's "Red Emma' by Iron Age

Her glass was always half-empty

The Philadelphia playwright Chris Braak packs loads of information about the fiery anarchist Emma Goldman into little more than an hour, and Mary Tuonamen in the title role is suitably youthful and passionate. Left unanswered is this question: What made Emma tick? Red Emma. By Chris Braak; John Doyle directed. Iron Age Theatre production February 3-6, 2011 at Centre Theater, 208 DeKalb St., Norristown, Pa. To be performed again in Spring 2011 at an unannounced theater. (610) 279-1013 or ironagetheatre.org.
Steve Cohen

Steve Cohen

Articles 3 minute read
Cody Nickell, Brad Coolidge in 'The Understudy': Will the real artist please stand up?

Starving for art? Give me a break.

The La Bohème syndrome: Who is kidding whom?

Suffering for your art is as romantic as it is nihilistic. But continuing on this path as you get older is downright masochistic.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 4 minute read
McClure (left) with Ian Clark: Clever concept, but... (Photo: Mark Garvin.)

"Amadeus' at the Walnut

Too many words about too many notes

Mozart's music has survived for more than two centuries. After just 32 years, Peter Shaffer's Amadeus may have worn out its welcome.
Steve Cohen

Steve Cohen

Articles 2 minute read