Music

1939 results
Page 98
If Telemann were here today....

Tempesta di Mare and 1807 & Friends

Do I hear a harpsichord?

Tempesta di Mare and 1807 & Friends inadvertently conducted an unplanned dialogue on a perennial question: How do you play Baroque music under modern conditions?
Tom Purdom

Tom Purdom

Articles 3 minute read
Music isn't Siegel's only language.

Jeffrey Siegel’s ‘Keyboard Conversations’ at the Perelman

The second coming of Leonard Bernstein

Jeffrey Siegel is a rare bird in Classical music circles: A world-class pianist whose words speak as eloquently as his fingers.
Steve Cohen

Steve Cohen

Articles 2 minute read
Britten and Hemingway (above) had little in common. Or did they?

Lyric Fest salutes Benjamin Britten

A sensitive soul in peace and war

You can’t appreciate Benjamin Britten’s importance if you limit your listening to one or two types of music, as most of us do. You must listen to his major contributions to opera, choral music, orchestral music, art song and chamber music.
Tom Purdom

Tom Purdom

Articles 4 minute read
WRTI's logo: From Ellington to Ormandy, and back.

How jazz rescued Classical music

The death and rebirth of Classical music radio

Thanks to deregulation, Classical music radio has struggled since the ’90s. But thanks to some shrewd managers at WRTI and an unlikely musical ally— jazz— it’s now flourishing in Philadelphia.

Clarence Faulcon

Articles 5 minute read
Britten: One man who appreciated dedicated amateurs.

Choral Arts celebrates Britten’s 100th

The people's composer

Benjamin Britten cherished the amateur choral and instrumental groups that play an important role in British social life. Choral Arts celebrated his 100th birthday with a concert that captured that spirit.
Tom Purdom

Tom Purdom

Articles 4 minute read
Wile E. Coyote would have made a great musician.

Between composers and musicians

It’s all in the timing

A while back, some composers began writing exact durations, in seconds, over their musical notations. But timing is what musicians do. Take that away from them and you take the music away from them.
Kile Smith

Kile Smith

Articles 3 minute read
Honeck's flourishes weren't all necesary, but neither were Ormandy's.

Manfred Honeck’s Philadelphia debut

Fresh wind from Pittsburgh

The Austrian conductor Manfred Honeck has excited audiences from Vienna to Pittsburgh with his flashy renditions and dramatic gestures. This weekend Philadelphians caught the fever as well.
Steve Cohen

Steve Cohen

Articles 2 minute read
Yuja Wang reached a level that eluded even Horowitz.

Yuja and Yannick do Rachmaninoff

She’s young, she’s stylish, and she gets Rachmaninoff

Rachmaninoff’s Third Piano Concerto is one of the most technically challenging compositions in the piano literature. Yuja Wang transcended technique to reveal the very soul of the tormented composer’s music
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
DuPlantis: Echoes of Danny Kaye.

Orchestra 2001 and Network For New Music

91 years of novelty

The works presented at these two concerts spanned 91 years but were linked by a common interest in novelty, exploration and the relationship between words and music. The oldest piece looked peculiar in 1922 and still does.
Tom Purdom

Tom Purdom

Articles 4 minute read
Not quite in Daddy's footsteps.

Joshua Redman Quartet at Annenberg

Everything you wanted to know about sax

Joshua Redman can hit notes you’d swear couldn’t possibly come out of a tenor sax. At the Annenberg Center, his post-bop incarnation delivered a tight and virtuosic 90-minute set.
Judy Weightman

Judy Weightman

Articles 2 minute read