Music

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Page 94
Philadelphia was one of four cities (along with Miami, Los Angeles, and San Francisco) that commissioned Tal Rosner to create the visuals that accompanied Four Sea Interludes.

The Philadelphia Orchestra plays Benjamin Britten

Britten and friends

Benjamin Britten hovers around the list of the greatest 20th-century composers without quite making the cut, but the somewhat belated centennial anniversary concert conducted by Donald Runnicles made a persuasive case for him.
Robert Zaller

Robert Zaller

Articles 3 minute read
Lennick: Spurned invitations.

Victor Herbert’s ‘Cyrano’ and “Madeleine’

The Victor Herbert you never knew

Most of us associate Victor Herbert with sentimental ballads. Two of his forgotten operettas this week reminded us how diverse his work really was.
Steve Cohen

Steve Cohen

Articles 3 minute read
Khaner let his flute do most of the talking.

Chamber Orchestra: Mozart and controversy

Old audiences and the young Mozart

Where are the young audiences? Did Mozart hate the flute? Was the young Mozart a genius or merely a talented prodigy? Arguing about music after a concert may be fun, but the performers usually get the last word.
Tom Purdom

Tom Purdom

Articles 4 minute read
The Artemis Quartet: A problem in the programming.

Artemis Quartet at the Perelman

Missing body report

Whatever else you may say about Beethoven, even at his most ethereal and refined, his is a music that speaks through the body. You don’t play him like Debussy or Fauré.
Robert Zaller

Robert Zaller

Articles 4 minute read

When an autistic child enjoys performing

Making music with Malcolm

It wouldn't have occurred to me that my autistic son might want to appear in a musical, but he did.
Maria Thompson Corley

Maria Thompson Corley

Articles 6 minute read
Solzhenitsyn: In Richter's shadow.

Solzhenitsyn plays Prokofiev

Prokofiev in deadly earnest

Prokofiev’s war sonatas are rarely played in the West. Russia itself seems at stake in this music, and there’s probably no living pianist who can play them better than Ignat Solzhenitsyn.
Robert Zaller

Robert Zaller

Articles 3 minute read

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Phillips: Helpful humming.

Another first for the Philadelphia Orchestra

An orchestra program without an orchestra? Actually, yes

The Philadelphia Orchestra expanded its repertoire with its first performance of Fauré’s Requiem and five pieces that prove you can present an orchestra concert without an orchestra.
Tom Purdom

Tom Purdom

Articles 3 minute read
Lofton: From one era to another.

A Sunday with AVA and Chestnut Street Singers

War and peace, music and politics

When you listen to music based on a religious or political text, to some extent you’re sharing the feelings of the people who believe in those words.
Tom Purdom

Tom Purdom

Articles 4 minute read
Left to right: Rachel Sterrenberg, Shir Rozzen, Jazimina MacNeil: But where did they stand on Hitler? (Photo: Cory Weaver.)

Poulenc’s ‘Dialogues of the Carmelites’

What would Pope Francis say?

An uneven production revealed the limitations of Poulenc’s revered but sad French opera about the sufferings of nuns during the French Revolution.
Steve Cohen

Steve Cohen

Articles 2 minute read
Yisrael: Channeling an aristocrat in his private chambers.

Two salutes to Louis XIV, musician

Oh, to be the Sun King's lute teacher

What’s the essence of French Baroque style? For me, and apparently for Louis XIV as well, it’s a combination of elegance and pleasure.
Tom Purdom

Tom Purdom

Articles 3 minute read