Music
1942 results
Page 76
Russian Opera Workshop present Rubinstein's 'The Demon'
The Demon comes to Philadelphia
The Russian Opera Workshop presented the Philadelphia premiere of one of Russia’s most popular operas.
Articles
3 minute read
On saying "thank you"
My dinner with Beethoven
Why do we say "thank you," and who do we say it to?
Articles
5 minute read
Gunther Schuller: An appreciation
Gunther Schuller had more musical careers than Leonard Bernstein, including composer, conductor, educator, French horn player, author, and longtime advocate of the co-existence of jazz and classical music.
Articles
2 minute read
Ornette Coleman: An appreciation
Time catches up to Ornette
Live long enough, as jazz innovator Ornette Coleman did, and it can help your public catch up to you — even to music like his, which was once well ahead of its time.
Articles
4 minute read
The spring opera season in Philadelphia
A plethora of operatic options
The 2014-2015 opera season in Philadelphia ends with an array of productions from many eras.
Articles
5 minute read
Mary Elizabeth Bowden; David Crumb; Barbara Westphal & Christian Ruvolo
Celebrating Philadelphia composers
Three recent CDs highlight the music of composers with Philadelphia connections, from Samuel Barber to Andrea Clearfield.
Articles
5 minute read
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Tempesta di Mare closes their season
Baroque theaters and modern cathedrals
The music season ended with Tempesta di Mare’s latest visit to Baroque France and an unexpected bonus from Lyric Fest’s artistic directors.
Articles
3 minute read
Opera Philadelphia's 'Yardbird' (first review)
A contradictory enterprise
Yardbird composer Daniel Schnyder went well beyond 1930s popular music (the legacy that Parker and cohorts unabashedly used as a foil to create the new bebop jazz) to create a unique synthesis of many other musical ingredients and flavors.
Articles
5 minute read
Opera Philadelphia's 'Yardbird' (second review)
Bird Lives!
Yardbird is a profoundly moving and extraordinary musical experience that works on every level imaginable.
Articles
2 minute read
Opera Philadelphia's 'Yardbird' (third review)
Ill-conceived hagiography
It’s possible to love jazz and classical music; I’ve done so for most of my life, as has Yardbird's composer. He created an intriguing combination of the two genres, but it has problems of another sort.
Articles
3 minute read