Music

1942 results
Page 168
Govatos: Personal emotions.

Orchestra 2001 plays Messiaen

Legacy of a cosmic romantic

Orchestra 2001 marks the 100th birthday of Olivier Messiaen with two pieces that capture the cosmic and deeply personal feelings behind his work.
Tom Purdom

Tom Purdom

Articles 3 minute read
The season to be banal? Not necessarily.

In Praise of Christmas Carols

Beyond Muzak: A few kind words for Christmas music

This is the time of year when no one can escape Christmas music. Which may be a good thing, since they're beautifully written. A professional musician offers her guide to making the most, musically, of the holiday season.
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
Enough of your personal experiences!

Lucinda Williams and Bob Dylan

Lucinda Williams and Bob Dylan: Two trains running (in opposite directions)

I can't believe that the renowned perfectionist Lucinda Williams doesn't know, in her heart of hearts, that her latest album, “Little Honey,” is a mess. Bob Dylan's impact on our culture, on the other hand, continues to be as deep as Beethoven's or Shakespeare's.
Dan Coren

Dan Coren

Articles 8 minute read
Fire on the set: Why so many small images?

"Damnation of Faust' at the Met

The other Faust also rises

Berlioz wrote The Damnation of Faust in 1846 as a concert opera. The Met's new production is a multi-media extravaganza marked by striking imagery.
Steve Cohen

Steve Cohen

Articles 4 minute read
Morales: Background for a New York nightscape.

Ricardo Morales plus

A showcase for Morales (and two others)

Novel programming adds extra spice to a recital that features clarinetist Ricardo Morales and two other local stars.
Tom Purdom

Tom Purdom

Articles 3 minute read
Kaminska: A stand-alone music machine?

Lidia Kaminska accordion recital

To take the accordion seriously? That is the question

Lidia Kaminska's accordion made a big hit with a big crowd. But one audience member would have been happier if the program had included more collaboration with other instruments.

Articles 3 minute read
Confronting the technical challenge of Franz Liszt.

Daniel Barenboim's all-Liszt piano recital

The astonishing Daniel Barenboim

Daniel Barenboim's all-Liszt recital of Italian-themed works combined scholarship, musicianship and technical brilliance in equal measure to make a forceful case for the problematic Hungarian master. I still can't tell you how Barenboim does it, but his performance was astonishing, and, for me, revelatory.
Robert Zaller

Robert Zaller

Articles 4 minute read
The author: 'I knew where I was, and then suddenly I didn't.'

A pianist and her memory

The pianist who recovered her memory

Concert pianists are expected to perform from memory. That was no problem for me until my psyche was permanently scarred in an auto accident. But over many years, as I was forced to cope with things far more crucial than missing a passage in a piece of music, I learned to trust my inner resources.
Maria Thompson Corley

Maria Thompson Corley

Articles 6 minute read
Glavin as Mustafa: Give the feminists a crack at this guy! (Photo: Richard Schickling.)

Opera Company's "Italian Girl in Algiers'

The lighter side of Islam

The Opera Company of Philadelphia takes few risks in its entertaining staging of The Italian Girl in Algiers, even though Rossini’s opera offers a potentially controversial ridiculing of Islam.

The Italian Girl in Algiers. Opera by Gioachino Rossini; libretto by Angelo Anelli; directed by Stefano Vizioli. Through November 23, 2008 at Academy of Music, Broad and Locust St. (215) 732-8400 or .www.operaphilly.com.
Jim Rutter

Jim Rutter

Articles 4 minute read
Carter: Listening to both sides.

Orchestra 2001 plays Carter and Copland

Rugged individuals

Orchestra 2001 looks at four pieces, each built around a distinctive framework, including two written by the durable Elliot Carter in his 90s.

Orchestra 2001: Piston, Divertimento for Nine Instruments; Carter, Asko Concerto; Carter, Dialogues (Emmanuel Arciuli, piano); Copland, Appalachian Spring. James Freeman, conductor. November 15, 2008 at Independence Seaport Museum. (610) 544-6610 or www.orchestra2001.org.
Tom Purdom

Tom Purdom

Articles 4 minute read