Music

1939 results
Page 160
Groves: A flawless five minutes.

Philadelphia Orchestra's Berlioz Requiem

The French contender in the heavyweight Requiem division

When the extra brass units sounded from the balconies and the chorus and Orchestra started going full blast, the heavens really did open. Nobody does Dies Irae like Berlioz.

Articles 2 minute read
Rinnat Moriah (left), Tamara Mumford: Beneath the laundry, two warring traditions. (Photo: Katharine Elliott.)

Opera Company's "Rape of Lucretia' (2nd review)

Raging and raping: Christians and Greeks together

The Rape of Lucretia is the only musical creation I know of that places both the Judeo-Christian and the Greco-Roman traditions on the same stage.
Tom Purdom

Tom Purdom

Articles 4 minute read
Leah Stein's dancers: What we feel, vs. what we think we should feel.

"Battle Hymns' at Hidden City Philadelphia (1st review)

Making sense of war: Musicians invade the Armory

The Hidden City Arts Festival presents a remarkable choral and dance response to war that merits comparison with the works of writers like Hemingway and George Orwell.
Tom Purdom

Tom Purdom

Articles 6 minute read
Dutoit: A stifling glaze.

Orchestra's season finale

Odd couple: The Orchestra's difficult season ends

The Philadelphia Orchestra ended its season with a program that unprofitably yoked Debussy's meandering composite, Images, with the Shostakovich Fifth Symphony. The latter, though unevenly played, sent the musicians home with a standing ovation that, one hopes, will leave them with a final good memory of what has been a difficult year.
Robert Zaller

Robert Zaller

Articles 4 minute read

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Mumford as Lucretia: In her downfall, the birth of democracy.

Opera Company's "Rape of Lucretia' (1st review)

Raping Lucretia, raping Europa

The Opera Company of Philadelphia's deft staging of Benjamin Britten's The Rape of Lucretia is both a welcome revival of a pioneering work of chamber opera and, in the midst of our own current wars, a timely reminder of man's inhumanity to man.
Robert Zaller

Robert Zaller

Articles 3 minute read
Nally: Quality, right down to the details.

The Crossing's unique niche

Class act

Donald Nally's choir, The Crossing, occupies a unique niche in the musical ecosystem: Its singers perform new and unfamiliar music for a small chamber choir. It presents novel, beautiful, complex music that requires precise coordination and first-class voices.
Tom Purdom

Tom Purdom

Articles 4 minute read
Nany Bean: Consider giving this group a try.

1807 & Friends season finale

The Archduke also rises

Three of the city's most active chamber musicians transmit a chronic infection to their audience.
Tom Purdom

Tom Purdom

Articles 4 minute read
Zlatkovski: Performer, scholar and impresario too.

Harp Music Festival's third edition

What Fellini and John Williams knew about the harp

Harpist Saul Davis Zlatkovski mounted the third edition of his welcome addition to the fading days of the Philadelphia music season. Zlatkovski has put some impressive organizational work into this project, but he can use help with the administrative details.
Tom Purdom

Tom Purdom

Articles 4 minute read
Pitcairn: Working with a winner.

Orchestra 2001: Three composers, four soloists

The surprising 20th Century

Orchestra 2001 ended its season with a program guaranteed to please most audiences: four attractive concertos featuring four first-class soloists.
Tom Purdom

Tom Purdom

Articles 4 minute read
Josefowicz: Fashion statement.

Philadelphia Orchestra's eclectic program

The turn of two centuries: Three Romantics and a modern

Guest conductor David Robertson, in an eclectic Philadelphia Orchestra program, offered three works of a century ago, and one of our own moment: the Philadelphia premiere of Thomas Ades's impressive new Violin Concerto, with Leila Josefowicz.
Robert Zaller

Robert Zaller

Articles 6 minute read