A composer's response

The young composer's struggle: A reply to Dan Coren

The young and opinionated composer Beeri Moalem responds to assorted nitpicks from BSR's critic Dan Coren, as well as to Coren's larger question: What, exactly, is the struggle of a young composer today?

Be'eri Moalem

Jul 20, 2009 · Articles · 6 minute read

A dentist's musical Odyssey

A music lover's Odyssey: What my dad learned from his children

Most people develop a taste for serious music because their parents push them into it. In the case of my Dad the dentist, the opposite was true: He was introduced to classical music by his kids, albeit inadvertently.

Maria Thompson Corley

Jul 20, 2009 · Articles · 9 minute read

Buxtehude Consort's religious cantatas

The case for summer music

In the last few years Philadelphia's music season has grown steadily shorter— until this year. Half a dozen music groups extended their seasons into June, and the Buxtehude Consort made its debut in a perfect setting. Good news for tourists and musicians alike.

Tom Purdom

Jul 14, 2009 · Articles · 3 minute read

Billie Holiday after 50 years

She never wasted a note: Music's debt to Billie Holiday

Billie Holiday was less of a “pop star” (and much more of a true artist) than the likes of Frank Sinatra, Elvis Presley and Michael Jackson. But I would argue that Billie Holiday deserves equal recognition as an icon of American music, and her legacy is timeless.

Victor L. Schermer

Jul 14, 2009 · Articles · 5 minute read

Composing music: A reply to Beeri Moalem

So you want to write about composing? A critic's reply to Beeri Moalem

Dan Coren, responding to Beeri Moalem's recent article, “So You Want To Compose Serious Music?”, finds it “a mishmash of half-baked ideas and some very odd perceptions of music history.”

Dan Coren

Jul 13, 2009 · Articles · 5 minute read

Something different: Ambient/space music

The music that dare not speak its name (because no one can pin it down)

Beethoven was inspired by Napoleon; now meet ambient/space music composer Jóhann Jóhannsson, who's inspired by Henry Ford. His genre is hard to define, but it can be challenging, inspiring, soothing, sometimes disturbing and often beautiful. And Philadelphia has become a center for this misunderstood innovative form of music.

Mark Wolverton

Jul 11, 2009 · Articles · 5 minute read

Philadelphia Orchestra with Curtis soloists

Big names (of the future) at the Mann

Instead of big-name soloists at the Mann, last week the Philadelphia Orchestra spotlighted students from Curtis Institute. The collaboration must have looked like an attractive way to save money, but the product was by no means inferior.

Tom Purdom

Jul 07, 2009 · Articles · 4 minute read

Concert Operetta's "A Waltz Dream'

The good old days of central Europe

Philadelphia's Concert Operetta Theater has evolved to the point where its offerings can be counted on for excellent singing and emotionally satisfying performances. This is quite an accomplishment for a genre once thought to have died with the monarchies of middle Europe.

Steve Cohen

Jul 07, 2009 · Articles · 3 minute read

So you want to compose serious music?

Beyond 'grandma music': A guide for modern composers

This is an exciting time to be a composer— there are many directions to choose from. Not all of them are ridiculous. Here's one struggling young composer's attempt to make some sense of all the possibilities.

Be'eri Moalem

Jul 04, 2009 · Articles · 8 minute read

Opera Company's "Rape of Lucretia' (3rd review)

A good thing in a small package

The Opera Company's production of The Rape of Lucretia demonstrated how much can be done on a small stage with a modest budget. But the opera suffers from the insertion of religious Christian doctrine into a story that predated Christ by five centuries.

Steve Cohen

Jul 04, 2009 · Articles · 3 minute read