Music

1939 results
Page 140
Poplavskaya (rear) with Alagna: A role sopranos avoid. (Photo: Sara Krulwich, New York Times.)

Verdi's "Don Carlo' at the Met (live)

Is there an Italian in the house?

The main flaw in the Met's outstanding new production of Don Carlo lies in the international nature of its cast. The use of a French-Canadian conductor, a half-French tenor and various Russian, British and American soloists may seem like welcome egalitarianism, but non-Italians have a rough time capturing the flavor of Verdi, that quintessential Italian nationalist.
Steve Cohen

Steve Cohen

Articles 6 minute read
Corigliano: What's music got to do with it?

Whatever happened to symphonies? (1st comment)

Another victim of our times: Whatever happened to the symphony?

The symphony— for more than 200 years the defining form of Western music— has all but vanished in the past 40. Concert audiences remain as addicted as ever to their Beethoven and Brahms, not to mention their Sibelius and Shostakovich. So why don't contemporary composers try to oblige them?
Robert Zaller

Robert Zaller

Articles 7 minute read
Corinne Winters as Hester: A few unanswered questions.

Garwood's "Scarlet Letter,' by AVA (2nd review)

Give her an A

Margaret Garwood has found in The Scarlet Letter a strong piece of musical theater. In some places she has actually improved Hawthorne's story telling. Whether the music will survive is another question.
Steve Cohen

Steve Cohen

Articles 5 minute read
Brossé: Sedate, but only on paper.

Dirk Brossé's Chamber Orchestra debuts

Debut of a ‘deepie'

Can nice guys create art? Beneath his amiable surface, the Chamber Orchestra's new conductor reveals himself as a deadly serious musician.
Tom Purdom

Tom Purdom

Articles 5 minute read
Pittsinger as Emile: An essential difference.

“South Pacific” revival on tour (2nd comment)

Not your father's opera (or is it?)

Has opera been replaced by the Broadway musical? If so, is that good or bad? The recent revival of South Pacific demonstrated the pros as well as the cons of this brave new musical world.

Articles 3 minute read
Hong (top), Hall: Is there a moral witness in the house? (Photo: Nan Melville.)<i></i>

“Coronation of Poppea” by Juilliard Opera

When the bad guys win

In Monteverdi's The Coronation of Poppea, the sheer force of erotic passion subverts all moral categories. Such wisdom renders this nearly-400-year-old opera more than modern today. The Juilliard Opera Theater's production, led by Harry Bicket, gave a fine account of the work.
Robert Zaller

Robert Zaller

Articles 5 minute read
Clearfield: Translating from color to sound.

Network for New Music's "Trade Winds From Tibet'

Himalayan Odyssey, Philadelphia style

Four young American composers based their pieces on recent fieldwork conducted in Tibet by Philadelphia composer Andrea Clearfield. This self-consciously styled genre is too often laden with clichés— happily not the case in this concert.

Articles 3 minute read
Sean Arnold, Olivia Vote, Alex Lawrence (standing): The Puritans blew it. (Photo: Paul Sirochman.)

Garwood's "Scarlet Letter,' by AVA (1st review)

Hester's little secret

Margaret Garwood's new opera may not contain any soaring arias, but its final moment is a monument to the immorality of overbearing morality.
Tom Purdom

Tom Purdom

Articles 3 minute read
Raim: Beyond career guidance.

Astral Artists' Brahms Festival

Brahms ‘til you drop

Astral showcased its young performers in an attention-getting event that crammed three concerts into a single day. It may be a stunt, but it's a high-class stunt with a serious purpose.
Tom Purdom

Tom Purdom

Articles 4 minute read
McLaughlin: Admired but not adored.

Guitarist John McLaughlin at the Keswick

Here's the talent. Where's the love?

John McLaughlin is one of the best guitarists playing today. But technical proficiency isn't easy to translate into passion.
Judy Weightman

Judy Weightman

Articles 2 minute read