Music

1939 results
Page 115
Krantz: For one evening, the spotlight.

Allen Krantz at Laurel Hill

A lucky accident

Accidentally forced to give a rare solo program, the guitarist-composer Allen Krantz demonstrated his skills as a teacher and speaker.
Tom Purdom

Tom Purdom

Articles 3 minute read
Background music for wining and dining? (Photo of Tempesta by Bill Cramer.)

Tempesta di Mare at the Barnes

What would Albert Barnes say? Better ask: What would Vivaldi say?

Tempesta di Mare's first appearance at the Barnes triggered ruminations on concert settings, amplification and, of course, the wisdom of moving the Barnes itself.
Tom Purdom

Tom Purdom

Articles 3 minute read
Levine: Sorely missed.

Met's "Tales of Hoffman' in HD-Live (3 years later)

What a difference three years make

Seeing the Met's 2009 Tales of Hoffman, I'm struck by the exceptional changes that three years have wrought. Since then, James Levine is gone, Anna Netrebko has declined, and other companies have done more justice to Offenbach's work.
Steve Cohen

Steve Cohen

Articles 3 minute read
Can you tell the Jews from the Arabs?

Atzilut: Jews and Arabs at Bryn Mawr

A musical solution for the Middle East

How to prevent Jews and Arabs from fighting? Get them to start singing.
Steve Cohen

Steve Cohen

Articles 2 minute read
Abbado: Free-lancers yes, unions no.

"Music As Alchemy': Inside the great conductors

The work behind the wand (from both sides of the podium)

How do conductors elicit great sounds from their musicians? In Music As Alchemy, Tom Service follows six prominent conductors as they pursue their arcane trade. Who knew that Claudio Abbado steadfastly avoids unionized orchestras?
Tom Purdom

Tom Purdom

Articles 4 minute read
Will better technology produce better music?

Can computers replace composers?

With Darwin and a computer, who needs Mozart?

When Beethoven was a little baby/ Sittin' on his daddy's knee,/ He picked up an iPhone, little CD-ROM,/ Said, “Computer's gonna be the death of me, Lawd, Lawd”¦.”
Kile Smith

Kile Smith

Articles 6 minute read
Albert: Are opera houses really necessary?

Can black opera save Classical music?

Beyond Leontyne Price: For whom the black operatic bell tolls

Exciting and innovative black operas are struggling because white audiences tend to avoid them. But all classical music groups are struggling because white audiences tend to avoid them. Is there a common cause here? And might there be a solution to both problems?
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
Meirson: Russian revival.

Rachmaninoff's "Aleko' by Russian Opera Workshop

A Rachmaninoff opera? Who knew?

No major American company in this country has ever produced Rachmaninoff's unfortunately neglected Aleko. Ghenady Meirson's Russian Opera Workshop offered a taste of what we've missed.
Steve Cohen

Steve Cohen

Articles 3 minute read
Lee: With a little help from YouTube.

Dolce Suono at Laurel Hill

Smiles of a summer night

Dolce Suono's “Concert by Candlelight” at Laurel Hill contained enough depth to repay close attention without disturbing a relaxed summery mood.
Tom Purdom

Tom Purdom

Articles 4 minute read
Mary Curtis Bok saw the need to train the next generation. (Artist: Norman Rockwell.)

Stokowski's lesson: Develop local talent

One more lesson Yannick can learn from Stokowski

The Philadelphia Orchestra began as an ensemble consisting of European immigrant musicians. Stokowski, Ormandy and Mary Louise Curtis Bok nurtured the infrastructure for developing homegrown talent and audiences. Boston and Los Angeles have learned that lesson; why not Philadelphia, where the idea first took root?

Clarence Faulcon

Articles 6 minute read