Film/TV

682 results
Page 42
Not an impenetrable art house flick: Chris Evans, Tilda Swinton, and Octavia Spencer in "Snowpiercer." (Photo © 2013 - RADiUS/TWC )

Bong Joon-ho's 'Snowpiercer'

An allegory with ax fights

Snowpiercer is worth seeing not just because of its indictment of widening global inequality, but because it seriously examines the alternatives.
Jake Blumgart

Jake Blumgart

Articles 3 minute read
Moran Atias and Adrien Brody in "Third Person." (Photo by Maria Marin - © 2014 - Sony Pictures Classics)

Paul Haggis's 'Third Person'

Third person, removed

Third Person underwhelms in its attempt to tie together three separate threads. Its downfall is the very detachment implied by its title.
Kayleigh Butera

Kayleigh Butera

Articles 3 minute read
A journalist who created his own reality.

Roger Ebert’s ‘Life Itself’

The secret of Roger Ebert’s success

Life Itself is a documentary about a remarkable man who spent his entire life in movie theaters yet somehow managed to develop more humane relationships with more real people than most of us who inhabit the real world.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Michael Fassbender and Javier Bardem in "The Counselor." (Photo by Kerry Brown - © 2013 - Twentieth Century Fox Film Corporation. All Rights Reserved.)
Photo of the Solano Drive-In by Thomas Hawk, via Flickr/Creative Commons.

Drive-ins and the way we watch movies

Starry night

The drive-in experience is like tailgating before a sporting event, but for movie junkies.

Ryan Dellaquila

Articles 4 minute read
John Lloyd Young and Erich Bergen in "Jersey Boys." (Photo by Keith Bernstein - © 2013 Warner Bros. Entertainment Inc.)

Clint Eastwood's 'Jersey Boys'

Jersey Goodboys

Clint Eastwood's version of the popular stage musical about the Four Seasons is a tone-deaf mess.
Armen Pandola

Armen Pandola

Articles 6 minute read
A strange partnership: Eva Green and Timothy Dalton in "Penny Dreadful"

'Penny Dreadful' goes back to horror’s roots

Horror is the new black

Penny Dreadful features a rogue’s gallery of Victorian favorites, but this is no retread of League of Extraordinary Gentlemen.

Paula Berman

Articles 5 minute read
Red (Kate Mulgrew) confronts Vee ( Lorraine Toussaint). (Photo by JoJo Whilden - © 2014 - Netflix)

'Orange Is the New Black,' Season Two

Truth and consequences

Jenji Kohan takes the cheesiest of B-movie settings, a women's prison, as her starting point for an engrossing and complex examination of morality and choice in Orange Is the New Black.
Judy Weightman

Judy Weightman

Articles 6 minute read
Hot meat: Philip Seymour Hoffman and John Turturro in "God's Pocket." (Photo by Seacia Pava © 2014 - IFC Films)

Philip Seymour Hoffman in 'God's Pocket'

Nominally a Philadelphia film

As Philip Seymour Hoffman’s last film, God’s Pocket may end up being remembered as better than it actually is.
Rick Soisson

Rick Soisson

Articles 3 minute read
Phoenix (left), Cotillard: Villain as victim.

James Gray’s ‘The Immigrant’

Ellis Island blues

What went on under Lady Liberty’s lamp? James Gray’s The Immigrant tells the Ellis Island story as the dark side of the American Dream.
Robert Zaller

Robert Zaller

Articles 4 minute read