Film/TV

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Page 35
For her own protection: Sophia (Laverne Cox) goes to the SHU in this season's “Orange Is the New Black.” (Photo by Jojo Whilden - © 2014 Netflix)

Netflix’s ‘Orange Is the New Black,’ Season 3 (third review)

Disappearing acts: The real spine of Season 3

Griping because Orange Is the New Black doesn’t reveal the fate of your favorite characters? This narrative choice may be the season’s boldest and most compelling quality.
Alaina Johns

Alaina Johns

Articles 5 minute read
Matthew Heineman at work.

Matthew Heineman's 'Cartel Land'

Not-so-simple justice

In his courageous new documentary, Matthew Heineman investigates the death grip of the drug cartels in Mexico.

Carol Rocamora

Articles 3 minute read
Peck watching dancers rehearse. (© 2014 - Magnolia Pictures)

'Ballet 422' by Jody Lee Lipes

A dance documentary that takes the cake

Ballet 422 is a tease, offering insight into the how, but not the what, of a new ballet.

Tara Lynn Johnson

Articles 2 minute read
Kaitlyn Bristowe in tears. (Photo courtesy of ABC)

‘The Bachelorette’

Is it love, or is it emotional abuse?

How do we tell the difference between love and emotional abuse? The dividing line is not always clear, as exemplified by the relationship between Kaitlyn and her suitors on this season of The Bachelorette.
Naomi Orwin

Naomi Orwin

Articles 6 minute read
The world is so cold: Oscar Isaac in 'Inside Llewyn Davis.' (Photo by Alison Rosa - © 2013 - CBS Films)

The Coen brothers and black cloud movies

Why are we laughing?

Though the Coen brothers didn’t invent the movie genre in which misfortune after misfortune is visited on the protagonist, they have certainly cornered the market.

Ryan Dellaquila

Articles 3 minute read
Juveniles in jeopardy: Nick Robinson and Ty Simpkins

'Jurassic World'

Nostalgiasaurus rex

In the end, T-Rex doesn’t lose its monster status because of our blasé 21st-century attitude to computer-generated beasts; it becomes a bona fide character through our own nostalgia for its original film incarnation and its evolving role in the action.
Alaina Johns

Alaina Johns

Articles 5 minute read
A phantasmagoric three-hour nightmare

Aleksey German’s 'Hard to Be a God'

Where the rain never stops

A modern Hieronymus Bosch, the late Russian filmmaker Aleksey German left us as his last testament a vision of hell for our increasingly dystopic 21st-century world.
Robert Zaller

Robert Zaller

Articles 5 minute read
Suzanne's creativity is unleashed. (All photos by Jojo Whilden - © 2014 Netflix)

Netflix’s ‘Orange Is the New Black,’ Season 3 (second review)

Faith and friendship

Much of the comedy in this season of Orange Is the New Black comes from mixing up the characters. New, unusual friendships make excellent use of the deep bench of supporting characters, many of whom are outcasts or invisible, or have lost their identity to groupthink.

Paula Berman

Articles 6 minute read
The start of a beautiful friendship: Pennsatucky (Taryn Manning) and Big Boo (Lea DeLaria).  (Photo by JoJo Whilden - © 2015 Netflix)

Netflix’s ‘Orange Is the New Black,’ Season 3

Complicated ladies in a complicated place

Now in its third season, Orange Is the New Black returns to see the ladies of Litchfield remaining resourceful and optimistic about their incarcerated future, while battling with problems both inside and outside of the prison walls.
Jessica Friedman

Jessica Friedman

Articles 5 minute read
John Huston and Orson Welles (American Film Institute, afi.com)

Orson Welles’s 'The Other Side of the Wind'

The best movie never made?

Orson Welles spent 15 years on a movie he couldn’t complete. The legend is perhaps bigger than the film could have been.
Robert Zaller

Robert Zaller

Articles 5 minute read