Choreographer Megan Bridge and musician Tristan Price offer a new angle on Bach’s music and The Artist’s Mother exhibit. Eileen B. Fisher previews.

In its exhibition featuring sculptor William Edmondson, who blurred and subverted a lot of what institutions expect from great artists, the Barnes begins to grapple with ways of seeing the artist’s legacy. Hanae Mason reviews.

Disabled artists like Alice Sheppard, Natalie de Segonzac, and Carolyn Lazard prove that access is its own art form, defying a deficit mentality and centering inclusion from the start in exhilarating new art forms. Wendy Univer explores.

BalletX presents Nicolo Fonte’s Sidd: A Hero’s Journey, an evening-length ballet inspired by Herman Hesse’s classic novel about the journey of self-discovery. Melissa Strong reviews.

AMM & DCO has successfully carved a creative niche in Philly’s dance scene among the city’s larger institutions. Its latest presentation mixes new and recent work reflecting on the pandemic. Camille Bacon-Smith reviews.

Lisa Grunberger takes a look at circus arts, the Philadelphia School of Circus Arts, and Fringe's Hand to Hand Festival through the eyes of their youngest fans.

Camille Bacon-Smith catches up with Caleb Teicher to talk about the upcoming Swing Out show, Lindy Hop, and more.

Chocolate Ballerina Company, a contemporary community-based dance organization for artists of color in the Philly region, offered an impressive new take on Swan Lake with an all-ages ensemble. Camille Bacon-Smith reviews.

The all-women dance troupe taps into the old and familiar and blends it with new and refreshing in this year’s edition of On Tap. Camille Bacon-Smith reviews.

Philadelphia Ballet concludes its season with Coppélia, a new full-length work full of humor and fantasy, featuring choreography by artistic director Angel Corella. Melissa Strong previews.