Dance

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Page 38
Opus Cactus' Sonoran snake. (Photo courtesy of Momix)

Momix presents 'Opus Cactus' at the Prince Theater

A desert feast of form and fantasy

Momix brings back Opus Cactus, a piece from 2001, and makes the desert bloom.
Gregory King

Gregory King

Articles 2 minute read
Vecino: The naked body as a costume. (Photo: Dudu Quintanilha.)

Luis Garay’s ‘Maneries’ at FringeArts

Nudity is just the beginning

In Luis Garay’s Maneries, Florencia Vecino demonstrates that the body can become a resource without boundaries.
Gregory King

Gregory King

Articles 2 minute read
In this world, bullets and bombs won't help you. (Photo: Mattias Edwall.)

Cirkus Cirkör’s ‘Knitting Peace’

A world of yarn

Is it possible to knit peace? The Swedish troupe Cirkus Cirkör’s latest creation makes a uniquely compelling case.
Gregory King

Gregory King

Articles 2 minute read
Painting pictures with their bodies. (Photo by Bicking Photography)

The 25th anniversary of Koresh Dance Company

Different, yet still the same

Koresh is a beast as a choreographer who has put together a stunning company of versatile thoroughbreds. I was thrilled to watch the dancers perform Koresh’s virtuosic choreography, while wondering, “Where have I seen this before?”
Gregory King

Gregory King

Articles 2 minute read
Ousting whiteness from his black, possessed body: Kosoko. (Photo by Scott Shaw)

Jaamil Olawale Kosoko’s 'Black Male Revisited'

The body as resistance and protest

Jaamil Olawale Kosoko’s Black Male Revisited is a riveting multimedia presentation that encourages us to question “self” as we navigate a not-so-post–racial world.
Gregory King

Gregory King

Articles 2 minute read
Ballets Jazz de Montréal: impressive synchrony, strength, and grace. (Photo by Bill Hebert, courtesy of Dance Affiliates [NextMove Series])

Les Ballets Jazz de Montréal at the Prince

Tribal strength on display

Les Ballets Jazz de Montréal presented an evening of mostly first-class work that used the memories of our distant origins to propel us into an unknown but fascinating future.
Gary L. Day

Gary L. Day

Articles 2 minute read
Roscoe and friend: How does the Mouse King see? Observe closely.

How kids see ‘The Nutcracker’ (6th helping)

Blessings of binoculars

This month marks the sixth December in my curious annual quest to observe how small children — specifically, my grandchildren— develop an appreciation for great art — specifically, The Nutcracker. Not until this year did it occur to me that the Nutcracker experience itself might change with the passage of time.
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read

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An innovative interaction of music and dance. (Photo by Bill Hebert)

Duende and the Curtis 20/21 Ensemble

Schoenberg, dance, and cabaret

Performances in informal settings can create a less elitist atmosphere and be the catalyst for meaningful conversations about art.
Gregory King

Gregory King

Articles 3 minute read
Restrained ferocity: Gary Jeter. (Photo byAlexander Iziliaev)

BalletX: 'Beasts'

Athleticism and technique brought out the Beasts

BalletX continues to add to the landscape of contemporary dance by their commitment to producing world premieres. In Beasts, Nicolo Fonte asked the company’s dancers to use their individuality to channel their primal human instinct.
Gregory King

Gregory King

Articles 2 minute read
"A Trick of Light": comedic storytelling. (Photo by Bill Hebert, courtesy of Dance Affiliates [NextMove Series])

Dance Affiliates presents BodyTraffic

Revving up contemporary dance on the West Coast

BodyTraffic is energizing the West Coast dance scene with innovation and fusion, while continuing to diversify their repertory, showing that concert dance can, and does, live in the City of Angels.
Gregory King

Gregory King

Articles 2 minute read