Dear BSR Subscriber,
Whether it's world premieres or Philly premieres, our critics have been busy.
Yesterday the temperature in Philly got a little above 40, which felt so balmy that my dog and I had taken three good, totally ice-free walks by dinnertime, even though the BSR deadline was on. Whether you stay in or bundle up, we hope you're doing whatever you need to get through the short days and long weeks of February. Here's what our writers have been up to.
I am not your BIPOC
Kyle V. Hiller
“People of color,” “BIPOC,” “Latinx,” and others have become household terms in the last five years in America. But with their origins largely ignored, these terms are becoming dangerous to the people they represent. Kyle V. Hiller considers.
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Have you noticed a shift in discourse recently about terms like "people of color"? Kyle says oversimplified terms like this "will continue to create rifts, stunt our capacity for understanding the nuances of communities and cultures, and limit the scope of the American narrative."
Alaina Johns, Editor-In-Chief
A 21st-century love story
Kirsten Bowen
In This Bitter Earth, now onstage at InterAct, a Black playwright and a white activist see their relationship tested against police brutality and the rise of the Black Lives Matter movement. Kirsten Bowen reviews.
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This play premiered on the West Coast in 2017 and is set several years ago, but it still packs an up-to-the-moment wallop, theater critic Kirsten Bowen says.
Alaina Johns, Editor-In-Chief
Contemporary ballet at the Perelman
Camille Bacon-Smith
Philadelphia Ballet makes the Kimmel Cultural Campus’s Perelman Theater its new home for contemporary ballet performances, beginning with New Work for a New World. Camille Bacon-Smith reviews.
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This performance from the recently rebranded Philadelphia Ballet demonstrates the benefits and drawbacks of a program entirely composed of commissioned world premieres, says dance critic Camille Bacon-Smith.
Alaina Johns, Editor-In-Chief
Something that's Greek
Cameron Kelsall
Quintessence Theatre offers a modern, vibrant riff on Sophocles with Seamus Heaney’s The Cure at Troy. Cameron Kelsall reviews.
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Theater critic Cameron Kelsall says this production of a Sophocles work you'll rarely see onstage is unexpectedly absorbing and timely.
Alaina Johns, Editor-In-Chief
The folklore and the facts
Josh Hitchens
In Dark History of Penn’s Woods, Jennifer L. Green shines a light on the little-known, real-life historical terrors of Chester and Delaware Counties, and how they inform our present. Josh Hitchens reviews.
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Fans of real-life scares rejoice. Book reviewer Josh Hitchens says this smart and deftly written journey through the darkest corners of our corner of Pennsylvania will keep you up at night.
Alaina Johns, Editor-In-Chief
© 2024 Broad Street Review. All rights reserved. Support provided by the Philadelphia Cultural Fund.
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