I'm surprisingly surprised and eternally grateful at the responses we've received from you, the readers of BSR. Your support has us within less than $1,000 of our goal with about two weeks to go. I can't thank you all enough, and I especially want to thank you all on behalf of the arts and culture communities here in Philadelphia. It's amazing to see folks sticking together in these times, and it's refreshing to see that people still have care and passion.
Thank you so much.
For this week, we have a talk with a Philly improv staple who's made it to the big leagues in Ellen Boscov—she drops advice and anecdotes to give hope to those getting started or those who feel like they've plateaued as performers. Then, we profile Dominic Moore-Dunson, the choreographer for the Wilma's Miz Martha Washington, and classical music sets the score for the rest of March.
Kyle V. Hiller
BSR associate editor
If theater is about creativity, why can’t we make room for disabled artists?
Anndee Hochman
A Bryn Mawr-based theater company proves that with patience, flexibility, and innovation, disabled artists of all ages can take to the stage, enjoying community, careers, and creativity. Anndee Hochman visits.
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