A new exhibition by woodworker and interdisciplinary artist Gina Siepel at the Museum for Art in Wood asks what happens when we regard trees as “you” rather than “it”. Anndee Hochman reviews.

In a small gallery away from its usual bustle, Delaware Art Museum presents In Focus, a gathering of powerful works by women photographers featured from the museum collection. Gail Obenreder reviews.

The Mütter Museum is inviting Philladelphians to put on their best scientific chic to celebrate Marie Curie’s legacy. Crystal Sparrow previews.

The Marian Anderson Historical Society will host a performance of Porgy and Bess and looks to continue the museum’s challenging reconstruction project. An Nichols previews.

The Mütter Museum displays arresting visual projects by Leah den Bok and Willie Baronet that illuminate and humanize homelessness. Pamela J. Forsythe reviews.

The Delaware Art Museum has the biggest collection of British Pre-Raphaelite artworks outside the UK, and this exhibition, which opened at Tate Britain and now lands stateside, honors the radical Rossettis. Gail Obenreder reviews.

Ann Lowe, a Black American designer, should have been as famous as the 20th-century French couturiers who are household names today. A new exhibition at Winterthur charts her remarkable sartorial journey. Gail Obenreder reviews.

Works by Philadelphia artist Barbara Bullock are dancing right off the walls at the Woodmere Art Museum in an enthralling retrospective that explores the intersection of Bullock’s studio art with her work as an educator. Emily Schilling reviews.

No, it’s not the hit HBO series about the backstabbing offspring of a fictional media mogul; it’s the Rosenbach’s look at the real-life succession of our own US presidents—reminders we need today. Pamela J. Forsythe reviews.

Andrew Wyeth is not widely known as an abstract artist, but maybe he should be. A beautifully configured exhibition at the Brandywine Museum of Art looks closer. Gail Obenreder reviews.