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Art & Architecture
Denise Scott Brown, ignored for a Pritzker
BY: Patrick D. Hazard
04.27.2013
The Barnes raises its rates
BY: Robert Zaller
04.19.2013
Who needs architecture school?
BY: Patrick D. Hazard
04.19.2013
Toyo Ito: the humane architect
BY: Patrick D. Hazard
03.26.2013
‘Narrative style’ in interior design
BY: Caroline Dunlop Millett
03.16.2013
The day I ‘got’ Agnes Martin
BY: Susan E. Washburn
03.10.2013
Do-it-yourself analysis at home
BY: Susan E. Washburn
02.02.2013
Art forgers: great artists?
BY: Marilyn MacGregor
01.26.2013
Impertinent questions about halos
BY: Perry Block
12.28.2012
The man cave as intimate space
BY: Caroline Dunlop Millett
11.27.2012
Who owns antiquity?
BY: Patrick D. Hazard
11.20.2012
Learning to love William Morris
BY: Patrick D. Hazard
10.13.2012
Rediscovering Croatia
BY: Patrick D. Hazard
08.31.2012
Bermuda’s Masterworks Collection
BY: Victoria Skelly
07.07.2012
Moving the Barnes: Now to pay the bills
BY: Robert Zaller
07.07.2012
On surviving the Barnes Foundation uproar
BY: Dilys Winegrad
07.03.2012
Nicholas Serota, the Tate’s dubious wunderkind
BY: Victoria Skelly
06.30.2012
American painters in the Barnes
BY: Marilyn MacGregor
06.18.2012
The anti-Barnes on the Parkway
BY: Robert Zaller
06.02.2012
On renewing my Art Museum membership
BY: Victoria Skelly
04.24.2012
The new Barnes: a sneak preview
BY: Marilyn MacGregor
04.06.2012
Rich man, beggar man— and Albert Barnes
BY: Robert Zaller
03.27.2012
Cave dwellers, home design and the Penn Museum
BY: Caroline Dunlop Millett
03.13.2012
Ellsworth Kelly: Shame on the Parkway
BY: Robert Zaller
03.10.2012
The struggles of Tanner and Van Gogh, reconsidered
BY: Victoria Skelly
02.19.2012
Architecture: Five cents’ worth
BY: Patrick D. Hazard
01.28.2012
Henry Tanner’s civil rights roots
BY: V Chapman Smith
01.28.2012
A better way to destroy Damien Hirst
BY: Victoria Skelly
01.21.2012
‘Washington’s Crossing’ as it really was
BY: Andrew Mangravite
12.31.2011
Discovered: La Salle’s unsung art museum
BY: Richard Carreño
11.14.2011
Matisse and Barnes: A tale of two museums
BY: Richard Carreño
10.04.2011
Our debt to Frank Furness
BY: George Wilhelm
08.23.2011
Crystal Palace Syndrome: Modern architecture’s first booboo
BY: Patrick D. Hazard
08.07.2011
Cy Twombly’s fresh vision of antiquity
BY: Marilyn MacGregor
07.16.2011
Why the Parkway Barnes will fail
BY: Robert Zaller
06.06.2011
‘Hopper and His Times’ at the Whitney in NY
BY: Robert Zaller
04.16.2011
When museums sell art: A better way
BY: Gresham Riley
02.01.2011
The ultimate power: visual images
BY: Anne R. Fabbri
01.22.2011
Wharton Esherick: American original
BY: J.F. Pirro
12.25.2010
First Friday find: Excursion to Fishtown
BY: Jonathan Pappas
09.07.2010
Why so many Jewish artists?
BY: Joan Myerson Shrager
08.28.2010
New cultural capital: Tallinn, Estonia
BY: Patrick D. Hazard
08.10.2010
Charles Burchfield at the Whitney in New York (preview)
BY: Andrew Mangravite
07.13.2010
Germantown’s stained-glass miracle
BY: Joan Myerson Shrager
06.08.2010
First Friday’s ‘Fringe Festival’
BY: Marilyn MacGregor
06.07.2010
How Marian Locks changed Philadelphia
BY: Anne R. Fabbri
05.25.2010
What have they done to Joan of Arc?
BY: Anne R. Fabbri
05.07.2010
Debating the Barnes move (sort of)
BY: Robert Zaller
03.27.2010
Barnes Day in the ‘Inquirer’
BY: Robert Zaller
03.09.2010
The vanishing art postcard
BY: Andrew Mangravite
02.23.2010
The Barnes architects make their case
BY: Robert Zaller
02.23.2010
The Pew confronts ‘The Art of the Steal’
BY: Robert Zaller
02.02.2010
The ‘death’ of conceptual art
BY: Victoria Skelly
01.12.2010
The home as art: practical advice
BY: Caroline Dunlop Millett
11.19.2009
The Barnes: A protester’s story
BY: Victoria Skelly
11.17.2009
Another Barnes groundbreaking
BY: Robert Zaller
11.16.2009
Moving the Barnes: A done deal
BY: Gresham Riley
10.26.2009
The Barnes debate is over (a reply)
BY: Gresham Riley
10.19.2009
Stifling debate about the Barnes
BY: Victoria Skelly
10.18.2009
The Barnes unveils its design
BY: Robert Zaller
10.10.2009
On buying art in Philadelphia
BY: Victoria Skelly
10.04.2009
Timothy Rub’s challenge
BY: Victoria Skelly
07.14.2009
Ephemerality and the art of earthworks
BY: Victoria Skelly
07.14.2009
Art Museum’s admission hike
BY: Richard Carreño
06.29.2009
Bruce Nauman at the Venice Biennale (1st review)
BY: AJ Sabatini
06.14.2009
The New Barnes: Our Potemkin Village (2nd comment)
BY: Robert Zaller
10.21.2008
Barnes on the Parkway
BY: Gresham Riley
10.19.2008
Leipzig: The heady air of freedom
BY: Patrick D. Hazard
09.30.2008
‘Gee’s Bend: Architecture of the Quilt’ at Art Museum
BY: Anne R. Fabbri
09.21.2008
Turner and Morandi at the Met in N.Y.
BY: Robert Zaller
09.21.2008
For art’s sake, move the Barnes
BY: Richard R. Feudale
08.26.2008
The Barnes Foundation rulings (Part 2)
BY: Robert Zaller
06.10.2008
Anne d’Harnoncourt’s secret
BY: Dan Rottenberg
06.03.2008
Latest ruling on the Barnes move (Part 1)
BY: Robert Zaller
06.01.2008
The Barnes move: A fait accompli?
BY: Victoria Skelly
05.25.2008
The ‘Barnes method’ reconsidered
BY: Victoria Skelly
04.15.2008
Letter from Beijing
BY: Toby Zinman
04.12.2008
Fumo and the Barnes move
BY: Robert Zaller
03.15.2008
Chelsea on the cheap
BY: Victoria Skelly
02.26.2008
Montebello: The Met’s savvy elitist
BY: Victoria Skelly
01.15.2008
Raping Europa— and the Barnes
BY: Robert Zaller
01.05.2008
Violette de Mazia’s malign mystique
BY: Victoria Skelly
11.06.2007
Could the Barnes Foundation be improved?
BY: Victoria Skelly
09.21.2007
John G. Johnson, Barnes and the Art Museum
BY: SCOTT JEFFERYS
08.14.2007
National Gallery tour— Part 5
BY: Andrew Mangravite
08.04.2007
National Gallery tour— Part 4
BY: Andrew Mangravite
07.28.2007
How to keep the Barnes in Merion
BY: SCOTT JEFFERYS
07.24.2007
National Gallery tour— Part 3
BY: Andrew Mangravite
07.21.2007
What’s in an art donor’s mind?
BY: Andrew Kevorkian
07.14.2007
National Gallery tour— Part 2
BY: Andrew Mangravite
07.14.2007
Critic’s tour of the National Gallery— Part 1
BY: Andrew Mangravite
07.10.2007
What did Albert Barnes really want?
BY: Robert Zaller
06.11.2007
Albert Barnes’s misguided vision
BY: Charles Morscheck
06.11.2007
What the Barnes must do next
BY: Gresham Riley
06.10.2007
Relocating the Barnes: A symposium
BY:
05.22.2007
Charles Saatchi’s on-line art gallery
BY: Patrick D. Hazard
12.30.2006
Eakins vs. Barnes
BY: Gresham Riley
12.16.2006
Eminent Domain and the Barnes
BY: Robert Zaller
10.17.2006
What price admission to the Barnes?
BY: Richard Carreño
08.12.2006
How Andrew Wyeth manipulated me
BY: Dan Coren
07.20.2006
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Art & Architecture Reviews
Serge Zhukov at F.A.N. Gallery
BY: Andrew Mangravite
05.07.2013
Albrecht Dürer at National Gallery in D.C.
BY: Victoria Skelly
05.04.2013
Norma Minkowitz at Snyderman-Works Gallery
BY: Marilyn MacGregor
04.27.2013
Gallery gazing: Three spring shows
BY: Anne R. Fabbri
04.13.2013
Philip Guston’s centennial, in New York
BY: Robert Zaller
04.09.2013
Barnes and Reisman at Gross McCleaf
BY: Andrew Mangravite
04.09.2013
‘Drawing Surrealism’ at the Morgan in New York
BY: Robert Zaller
04.06.2013
Piero della Francesca at the Frick in NY
BY: Robert Zaller
03.30.2013
Tracy Stuckey’s West at Schmidt/Dean Gallery
BY: Andrew Mangravite
03.11.2013
‘New Worlds’ at the Art Museum (2nd review)
BY: Steve Cohen
03.09.2013
‘New Faces’ at Artists’ House
BY: Andrew Mangravite
03.08.2013
Alsbrooks and Mirkil: ‘Kinship’ at Painted Bride
BY: Andrew Mangravite
03.04.2013
‘Surface as Signifier’ at Crane Arts Center
BY: Anne R. Fabbri
03.02.2013
‘Matisse and the Truth’ in New York
BY: Robert Zaller
02.26.2013
Piety and wealth at the Art Museum (1st review)
BY: Andrew Mangravite
02.16.2013
Roman Mosaic at the Penn Museum
BY: Anne R. Fabbri
02.16.2013
El Anatsui at Brooklyn Museum
BY: Marilyn MacGregor
02.12.2013
Paquette and Edgerton at Gross McCleaf
BY: Andrew Mangravite
02.05.2013
Alfred Stieglitz ‘Treasures’ at the Art Museum
BY: Tom Goodman
02.02.2013
Caravaggio: The first human painter
BY: Robert Zaller
01.29.2013
Leslie Fenton and Leo Sewell at Rosenfeld Gallery
BY: Anne R. Fabbri
01.15.2013
Three shows at the Morgan in New York
BY: Marilyn MacGregor
01.15.2013
‘Inventing Abstraction’ at the Museum of Modern Art
BY: Robert Zaller
01.15.2013
Art Museum’s ‘Dancing Around the Bride’ (2nd review)
BY: AJ Sabatini
01.12.2013
Robert Richenburg in New York
BY: Robert Zaller
01.08.2013
The modern female nude
BY: Robert Zaller
12.22.2012
William Trost Richards at Pennsylvania Academy (2nd review)
BY: Andrew Mangravite
12.18.2012
Allen Hart’s ‘Bestiary’ at Dalet Art Gallery
BY: Andrew Mangravite
12.11.2012
Drawings from Munich and London in New York (1st review)
BY: Robert Zaller
12.09.2012
Stephen Estock’s ‘Hungry Eyes’ at Schmidt Dean
BY: Anne R. Fabbri
12.04.2012
‘The Female Gaze’ at Pennsylvania Academy
BY: Anne R. Fabbri
11.27.2012
Tezh Modarressi at F.A.N. Gallery
BY: Andrew Mangravite
11.13.2012
‘Dancing Around the Bride’ at the Art Museum (1st review)
BY: Anne R. Fabbri
11.13.2012
Professors and students at Artists’ House
BY: Andrew Mangravite
11.13.2012
Guggenheim’s ‘Picasso Black and White’
BY: Robert Zaller
11.04.2012
Stan Sperlak’s ‘Rising’ at Cape May
BY: Jackie Atkins
10.07.2012
‘Marwencol’: The Outsider as artist
BY: Judy Weightman
10.02.2012
William Trost Richards at Pennsylvania Academy (1st review)
BY: Anne R. Fabbri
10.01.2012
Shipwrecks and Homer at the Art Museum (2nd review)
BY: Steve Cohen
09.25.2012
Shipwrecks and Homer at the Art Museum (1st review)
BY: Andrew Mangravite
09.21.2012
Paul Behnke and Tremain Smith at Rosenfeld Gallery
BY: Anne R. Fabbri
09.17.2012
‘Visions of Arcadia’ at the Art Museum (3rd review)
BY: Robert Zaller
09.09.2012
Kurt Moyer’s ‘Bathers and Landscapes’ at Gross McCleaf
BY: Andrew Mangravite
09.08.2012
Robert Heilman’s shadowy nocturnes at F.A.N.
BY: Andrew Mangravite
09.08.2012
‘Light’: Longwood Gardens’ first art piece
BY: Marilyn MacGregor
08.31.2012
‘Sum of Parts’: Bermudez and Marcuse at Drexel
BY: Anne R. Fabbri
08.28.2012
‘Ai Weiwei: Never Sorry,’ at the Ritz Five
BY: AJ Sabatini
08.15.2012
An ancient computer, in Athens
BY: Robert Zaller
08.11.2012
‘Visions of Arcadia’: Now for the catalogue
BY: Steve Cohen
08.04.2012
21st Century art: Rome’s new MAXXI Museum
BY: Anne R. Fabbri
07.17.2012
Eric Fischl’s ‘Dive Deep’ at Pennsylvania Academy (2nd review)
BY: Anne R. Fabbri
07.15.2012
Eric Fischl’s ‘Dive Deep’ at Pennsylvania Academy (1st review)
BY: Marilyn MacGregor
07.15.2012
The Rodin Museum, restored
BY: Steve Cohen
07.15.2012
Mary Ellen Mark’s ‘Prom’ at the Art Museum
BY: Rathe Miller
07.07.2012
Nakagawa’s ‘Thousand Portraits of Hope’ in New York
BY: Robert Zaller
07.07.2012
‘Renaissance Venice’ at the Morgan in New York
BY: Robert Zaller
07.03.2012
‘Visions of Arcadia’ at the Art Museum (2nd review)
BY: Steve Cohen
06.30.2012
Bill Viola’s ‘Ocean Without a Shore’ at PAFA
BY: Marilyn MacGregor
06.26.2012
‘Visions of Arcadia’ at the Art Museum (1st review)
BY: Andrew Mangravite
06.18.2012
Art Safari to Kensington
BY: Martha Ledger
06.17.2012
‘Uncorked!’: Wine history at Winterthur
BY: Marilyn MacGregor
06.02.2012
‘Deco Japan’ in New York
BY: Robert Zaller
05.22.2012
‘Tempus Fugit’ at the American Philosophical Society
BY: Alaina Mabaso
05.22.2012
The new bittersweet Barnes (2nd review)
BY: Steve Cohen
05.19.2012
The new Barnes: Worth the wait (1st review)
BY: Marilyn MacGregor
05.19.2012
Carlo Russo at F.A.N. Gallery
BY: Andrew Mangravite
05.08.2012
Group show at Artists’ House
BY: Andrew Mangravite
05.08.2012
Jan Baltzell at Schmidt-Dean Gallery
BY: Victoria Skelly
05.01.2012
‘Treasures from the Uffizi’ at the Michener Museum
BY: Anne R. Fabbri
04.24.2012
David Foss and Lisa Sylvester at L. G. Tripp Gallery
BY: Anne R. Fabbri
04.17.2012
‘Narrative Thread’ at Wexler Gallery
BY: Marilyn MacGregor
04.13.2012
‘Van Gogh Up Close’ at the Art Museum (3rd review)
BY: Robert Zaller
04.10.2012
Henry O. Tanner at Pennsylvania Academy (3rd review)
BY: Robert Zaller
04.03.2012
Mia Rosenthal’s Landscapes at Gallery Joe
BY: Victoria Skelly
04.03.2012
Cindy Sherman retrospective at MOMA in New York
BY: Marilyn MacGregor
03.31.2012
Zoe Strauss photos at the Art Museum (2nd review)
BY: Tom Goodman
03.20.2012
Adventures with ‘Megawords’ at the Art Museum
BY: Victoria Skelly
03.17.2012
‘Works on Paper’ at LGTripp Gallery
BY: Anne R. Fabbri
03.13.2012
‘Beyond Ordinary Still Life’ at Artists’ House
BY: Andrew Mangravite
03.13.2012
Orit Hofshi’s ‘Pharos’ at Locks Gallery
BY: Marilyn MacGregor
03.06.2012
‘In Material: Fiber 2012’ at the Arthur Ross Gallery
BY: Martha Ledger
02.21.2012
Henry O. Tanner at Pennsylvania Academy (2nd review)
BY: Andrew Mangravite
02.21.2012
‘After Tanner’ at Pennsylvania Academy (2nd review)
BY: Anne R. Fabbri
02.19.2012
‘After Tanner’ at Pennsylvania Academy (1st review)
BY: Marilyn MacGregor
02.18.2012
Henry O. Tanner at Pennsylvania Academy (1st review)
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