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Music
Why piano students cry
BY: Dan Coren
08.07.2010
My evening with Miles Davis (memoir)
BY: Bob Ingram
07.31.2010
Frank Loesser’s enduring power
BY: John L. Erlich
07.06.2010
A pianist reconsiders ‘Jonathan L. Seagull’
BY: Maria Thompson Corley
07.02.2010
Mithen’s ‘Singing Neanderthals’
BY: AJ Sabatini
06.12.2010
Utopia on earth: Choral singing
BY: Dan Coren
05.31.2010
When classical musicians play pops
BY: Maria Thompson Corley
05.15.2010
The vanishing Philadelphia Orchestra
BY: Robert Zaller
05.07.2010
Art Museum’s crowd control problem
BY: Vincent Rinella
05.01.2010
Unindicted war criminal to play at Mann Center
BY: Robert Zaller
05.01.2010
Listening to music: Aesthetics or psychology?
BY: Dan Coren
04.27.2010
New light on Beethoven’s Fifth
BY: Andrew Kevorkian
04.27.2010
New music and so-called music ‘lovers’
BY: Peter Burwasser
04.27.2010
When musicians won’t sit still
BY: Maria Thompson Corley
04.17.2010
Lessons from Tilson Thomas (2nd review)
BY: Steve Cohen
03.27.2010
Orchestra’s new season (good news)
BY: Dan Coren
02.27.2010
The Orchestra’s inane marketing
BY: Dan Coren
02.06.2010
Black audiences and classical music
BY: Maria Thompson Corley
01.25.2010
The Who across the generations
BY: J.F. Pirro
01.23.2010
Musicians with two careers: Pro or con?
BY: Maria Thompson Corley
12.22.2009
The Academy’s acoustics: A forgotten treasure
BY: Steve Cohen
12.01.2009
Musicians and money
BY: Maria Thompson Corley
11.07.2009
The Orchestra’s strange new ‘Collections’
BY: Steve Cohen
11.06.2009
A voice for black classical musicians
BY: Maria Thompson Corley
10.10.2009
George Crumb turns 80
BY: Tom Purdom
09.21.2009
Concerts to watch in 2009-10
BY: Dan Coren
09.08.2009
The dawn of rock ’n’ roll (a memoir)
BY: Bob Levin
09.01.2009
Beethoven’s ‘Appassionata’ turning point
BY: Dan Coren
08.15.2009
The classical musician’s greatest phobia
BY: Maria Thompson Corley
08.11.2009
The Mann experience: A newcomer’s perspective
BY: Matthew Jakubowski
08.02.2009
Composing vs. writing; Moalem vs. Coren (contd.)
BY: Beeri Moalem
07.25.2009
Composing vs. writing about music (a reply)
BY: Dan Coren
07.21.2009
A composer’s response
BY: Beeri Moalem
07.20.2009
A dentist’s musical Odyssey
BY: Maria Thompson Corley
07.20.2009
Composing music: A reply to Beeri Moalem
BY: Dan Coren
07.13.2009
Something different: Ambient/space music
BY: Mark Wolverton
07.11.2009
So you want to compose serious music?
BY: Beeri Moalem
07.04.2009
Michael Jackson and his demons
BY: Maria Thompson Corley
06.29.2009
Chamber Orchestra turns cautious
BY: Dan Coren
05.24.2009
My mother’s greatest gift
BY: Maria Thompson Corley
05.09.2009
Sonata form (Part 11): Recapitulation
BY: Dan Coren
04.28.2009
Sandro Russo’s Lisztomania
BY: Maria Thompson Corley
04.21.2009
Jade Simmons: Life after Miss America
BY: Maria Thompson Corley
03.23.2009
One tenor’s musical odyssey
BY: Maria Thompson Corley
02.17.2009
Sonata-form (Part 10): Mozart’s brilliant move
BY: Dan Coren
02.07.2009
Orchestra’s biggest problem: Its board
BY: Nathan Sivin
01.17.2009
Do happy musicians play better?
BY: Dan Coren
01.17.2009
David Cohen: A one-man classical band
BY: Maria Thompson Corley
01.10.2009
Unsung musical heroes: The entrepreneurs
BY: Tom Purdom
12.30.2008
In Praise of Christmas Carols
BY: Maria Thompson Corley
12.14.2008
Lucinda Williams and Bob Dylan
BY: Dan Coren
12.14.2008
A pianist and her memory
BY: Maria Thompson Corley
11.26.2008
A music critic’s guilty plea
BY: Dan Coren
11.15.2008
Glenn Gould vs. Roslyn Tureck
BY: Dan Coren
11.08.2008
My Croatian piano debut
BY: Maria Thompson Corley
10.21.2008
Levi Stubbs and the Four Tops
BY: Ted K. Hechtman
10.19.2008
Susan Babini debut cello concert
BY: Dan Coren
10.12.2008
Baseball or Beethoven?
BY: Dan Coren
09.30.2008
Sonata-form, Part 9: The augmented sixth
BY: Dan Coren
09.27.2008
Simone Dinnerstein: A concert not to miss
BY: Dan Coren
09.23.2008
Critic’s music picks for 2008-09
BY: Tom Purdom
09.16.2008
The piano teacher’s quandary
BY: Maria Thompson Corley
09.01.2008
Nicole Atkins on the cusp
BY: Rick Soisson
08.16.2008
Frank Zappa’s prophecy
BY: Dan Coren
08.16.2008
Two books on music and the brain
BY: Dan Coren
08.02.2008
Development sections (Sonata-form, Part 8)
BY: Dan Coren
07.12.2008
‘Evolution of Sound,’ a unique website
BY: Dan Coren
07.03.2008
The orchestra prima donna syndrome
BY: Robert Zaller
05.25.2008
Sonata-form No. 7: Role of repetition
BY: Dan Coren
05.10.2008
WPRB: My favorite radio station
BY: Dan Coren
05.03.2008
The case for live classical music
BY: Beeri Moalem
04.19.2008
Three spring concerts to watch
BY: Dan Coren
04.15.2008
Schubert vs. Beethoven
BY: Dan Coren
04.05.2008
Sonata-form (part 6): Mozart the juggler
BY: Dan Coren
03.04.2008
Orchestra’s 2008-09 season
BY: Dan Coren
02.23.2008
Tunes in sonata-form (Part 5)
BY: Dan Coren
01.22.2008
Music or performers? (Critic’s reply)
BY: Tom Purdom
01.22.2008
Critic’s alert: Catch these concerts
BY: Dan Coren
01.19.2008
The trouble with Beatles impersonators (1st review
BY: Jim Rutter
01.19.2008
Orchestra’s program gobbledygook
BY: Dan Coren
01.01.2008
Stockhausen: The road not taken
BY: Dan Coren
12.11.2007
Understanding tonality (Sonata-form, Part 4)
BY: Dan Coren
12.04.2007
Those slow introductions to symphonies
BY: Dan Coren
10.16.2007
TV cameras at Verizon
BY: Dan Rottenberg
10.02.2007
Purdom’s picks for 2007-08
BY: Tom Purdom
09.25.2007
Best of the 2007-08 season
BY: Dan Coren
09.15.2007
Classical music and golf
BY: Dan Coren
09.11.2007
Sonata-form made easy (Part 2)
BY: Dan Coren
09.01.2007
Those who can, should
BY: Tom Purdom
08.28.2007
Alan Gilbert: The conductor as leader
BY: Tom Purdom
08.28.2007
You too can enjoy sonata-form (really)
BY: Dan Coren
08.11.2007
Mendelssohn’s real tragedy
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