The choreography in Black Grace's program at the Annenberg was a mixed bag, full of exuberance and young promise, yet lacking the heft of a mature artist.
The first challenge in a one-person show is finding the right subject; the second is finding the right performer. The Lantern Theater Company succeeds on both counts.
London’s BalletBoyz is a brilliant example of how all-male modern dance has taken its place in the evolving world of contemporary choreography.
For its 32nd season of Dance Celebration, the Annenberg has a world-class international lineup that kicks off with a UK-based all-male dance troupe.
Suspended is a show that epitomizes everything that a Fringe show should be: audacious, outside the mainstream, but oozing talent.
Intimate Exchanges is a comedy of ambitious conceptualization and modest execution that is reminiscent of these quiet but literate British sitcoms that frequently show up on PBS.
Robin Williams’s protean talent, luminous intelligence, and overflowing heart were a once-in-a-generation blessing.
The Haunted Host provides a strong entry for GayFest and a reminder that gay theatrical history still has a lot to say to today’s audiences.
GayFest!, Philly's only annual theater festival aimed at all aspects of the LGBT experience, is back for a fourth year.
This is supposed to be a comedy, but if a writer has to get his laughs through cheap and easy stereotypes, well, it’s not a show of literary strength.