The final week of the Philadelphia Orchestra’s British Isles Festival showed why Fabio Luisi is its most valuable guest conductor. Cameron Kelsall reviews.
Walnut Street Theatre’s production of Stephen Karam's ‘The Humans’ gets clogged up in kitchen-sink realism. Cameron Kelsall reviews.
The Academy of Vocal Arts presents an intimate and compelling performance of Wagner’s ‘Das Rheingold.' Cameron Kelsall reviews.
McCarter Theatre Center’s ‘Stones in His Pockets’ has charm, but often reinforces the stereotypes it tries to subvert. Cameron Kelsall reviews.
Michael Frayn’s acclaimed ‘Copenhagen’ shows its age in Lantern Theater Company’s 10th anniversary production. Cameron Kelsall reviews.
Stew and Heidi Rodewald's coming-of-age story 'Passing Strange' has evolved, cut its creators out of the script, and landed at the Wilma Theater. Mark Cofta and Cameron Kelsall discuss.
The Philadelphia Orchestra’s British Isles Festival continues with a stirring exploration of the sounds of Scotland. Cameron Kelsall reviews.
The Philadelphia Orchestra crosses the Atlantic without leaving Broad Street as it begins its British Isles Festival. Cameron Kelsall reviews.
PCMS organized world-class musicians for a thoroughly moving tribute to violinist Ida Levin, who died in 2016. Cameron Kelsall reviews.
Angela Meade’s PCMS debut was heavy on vocal pyrotechnics but light on musical introspection. Cameron Kelsall reviews.