The four purposely pretentious movement artists of Philly’s Almanac Dance Circus Theatre join forces with Good Good Comedy. A.D. Amorosi reviews.
A premier festival for the making of new American musicals has made its home in Philadelphia for the last three years, proving yet again that developing a musical is anything but dry for artists and audience.
Ben Dibble, one of Philadelphia's best-known actor/singers, takes center stage at the Arden Cabaret Series and puts his family in the spotlight. A.D. Amorosi reviews.
This year’s Philadelphia Flower Show is a pleasant trip to tulip time in Holland. But how does all this play out with global warming and a climate-denying new EPA chief? A.D. Amorosi puts on the wooden shoes and reports.
Gabrielle Kaplan-Mayer's 'The Little Gate Crasher' recalls the author's great-uncle, a celebrity photographer and star in his own Lehigh Valley community. A.D. Amorosi reviews.
Philly playwrights brave enough to turn over the first page of an unpublished or languishing play can get a creative jolt from improvisers and their audience.
The beloved Philadelphia songstress invokes a new army of communicators to offer a landmark cabaret for all audiences.
Scribe Video Center brought in several prominent Philadelphia filmmakers (and poet Sonia Sanchez) for a workshop on experimental short film. A.D. Amorosi took a look.
In M. Night Shyamalan's new thriller, a man with 24 personalities kidnaps and imprisons three teen girls. Is it worth taking the time to meet them all? A.D. Amorosi reviews.